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	<title>2019 (#22) &#8211; Book History Unbound</title>
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	<title>2019 (#22) &#8211; Book History Unbound</title>
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		<title>Dataset of Four Clandestine European Pornography Publishers</title>
		<link>https://sharpweb.org/book-history-unbound/2019/colligan/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Mon, 05 Aug 2019 16:37:00 +0000</pubDate>
				<category><![CDATA[2019 (#22)]]></category>
		<guid isPermaLink="false">https://sharpweb.org/book-history-unbound/?p=271</guid>

					<description><![CDATA[Colette Colligan’s article&#160;“Digital Discovery and Fake Imprints: Unmasking Turn-of-the-Century Pornographers in Paris”&#160;draws on archives and data to&#160;uncover the activities of clandestine European publishers of pornography in the late nineteenth and early twentieth centuries. The corresponding datasheet models bibliographical data on the underground publications of four such publishers: August Brancart, Aimé-Charles Duringe, Jules Eugène Gauché, and [&#8230;]]]></description>
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<p>Colette Colligan’s article&nbsp;<a href="https://muse.jhu.edu/article/736555" target="_blank" rel="noreferrer noopener">“Digital Discovery and Fake Imprints: Unmasking Turn-of-the-Century Pornographers in Paris”</a>&nbsp;draws on archives and data to&nbsp;uncover the activities of clandestine European publishers of pornography in the late nineteenth and early twentieth centuries. The corresponding datasheet models bibliographical data on the underground publications of four such publishers: August Brancart, Aimé-Charles Duringe, Jules Eugène Gauché, and Charles Hirsch. The data is derived from Peter Mendes’s&nbsp;<em>Clandestine Erotic Fiction in English 1800-1930&nbsp;</em>and Jean-Pierre Dutel’s&nbsp;<em>Bibliographie des Ouvrages Erotiques, 1880-1920,&nbsp;</em>the two most reliable bibliographies that currently exist on clandestine European erotic fiction in French and English during this period. </p>



<p>Dr. Colligan is a professor and cultural historian at Simon Fraser University, working in the fields of nineteenth and early twentieth-century literature, print and media studies, and the history of sexuality.&nbsp;</p>



<p><a href="https://www.sharpweb.org/main/wp-content/uploads/2019/02/colligan_dataset.xlsx">Dataset of publications of Brancart, Duringe, Gauché, and Hirsch</a> [.xlsx download]</p>



<p>Cite this article:</p>



<p>Colette Colligan, &#8220;Dataset of Four Clandestine European Pornography Publishers,&#8221; <em>Book History Unbound</em> (2019), https://sharpweb.org/book-history-unbound/2019/colligan.</p>
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		<title>Livre d’Artiste Database 1874-1939 by Artist and by Year</title>
		<link>https://sharpweb.org/book-history-unbound/2019/swan/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 19 Apr 2019 17:35:00 +0000</pubDate>
				<category><![CDATA[2019 (#22)]]></category>
		<guid isPermaLink="false">https://sharpweb.org/book-history-unbound/?p=181</guid>

					<description><![CDATA[Rodney T. Swan's article "The Post-Liberation Resurgence of the Livre d'artiste in France: A Quantitative Analysis" was published in the 2019 volume of Book History.]]></description>
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<p><em>Rodney T. Swan&#8217;s article <a href="https://muse.jhu.edu/article/736557">&#8220;The Post-Liberation Resurgence of the Livre d&#8217;artiste in France: A Quantitative Analysis&#8221;</a> reveals that the French livre d’artiste experienced a previously undetected resurgence in post-liberation France as it participated in the efforts to rebuild national unity and reclaim the nation’s earlier artistic leadership. Rodney Swan is an adjunct academic at the University of New South Wales, Australia and a scholar in the use of the livre d’artiste as an instrument of cultural resistance in World War Two France.</em></p>



<p>To establish that a resurgence of the livre d’artiste  occurred in post-liberation France the article established a set of  criteria which helped identify every livre d’artiste published in France  in the century since the first publication in 1874. Unfortunately,  different components of the data, especially for the lesser known  artists and publishers, particularly those who have no catalogue raisonnés of their work, are scattered across multiple sources  in varying formats. Some of the data were located in catalogues of exhibitions and collections from public, private and commercial galleries; in catalogues raisonnés of some of the artists; in research papers; and in catalogues from auction houses. In many instances, particularly for the lesser known artists and publishers,  some of the data, such as paper type or font was not available, and in these instances a ‘nil’ entry was recorded. It was a long painstaking effort to locate all possible candidates for analysis. In all, approximately four thousand illustrated books were identified and checked against the criteria to determine whether they could be classified as a livre d’artiste. There is a reasonable level of confidence that this research identified the vast majority of livres d’artistes produced in France between 1874 and 1975. This unique information is recorded in a specially designed database and shows that between 1874 and 1975 in France there were 515 livre d’artiste published by 213 publishers with 103 artists creating  illustrations for texts written by 268 authors. Because of its research potential two versions of the database are being publicly released, one is sorted by artist and the other by year of publication.</p>



<p><a href="https://sharpweb.org/book-history-unbound/wp-content/uploads/2020/04/Livre-dArtiste-Database-1874-1939-by-Artist.pdf">Livre d&#8217;Artiste Database 1874-1939 by Artist [PDF]</a></p>



<p><a href="https://sharpweb.org/book-history-unbound/wp-content/uploads/2020/04/Livre-dArtiste-Database-1874-1939-by-Year.pdf">Livre d&#8217;Artiste Database 1874-1939 by Year [PDF]</a></p>



<p>Cite this article:<br>Rodney T. Swan, “Livre d’Artiste Database 1874-1939 by Artist and by Year,”  <em>Book History Unbound</em> (2019), https://sharpweb.org/book-history-unbound/2019/swan/.</p>
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