{"id":2206,"date":"2021-06-18T06:00:00","date_gmt":"2021-06-18T10:00:00","guid":{"rendered":"https:\/\/sharpweb.org\/sharpnews\/?p=2206"},"modified":"2025-09-21T18:11:21","modified_gmt":"2025-09-21T22:11:21","slug":"the-oxford-handbook-of-publishing-edited-by-angus-phillips-and-michael-bhaskar","status":"publish","type":"post","link":"https:\/\/sharpweb.org\/sharpnews\/2021\/06\/18\/the-oxford-handbook-of-publishing-edited-by-angus-phillips-and-michael-bhaskar\/","title":{"rendered":"The Oxford Handbook of Publishing. Edited by Angus Phillips and Michael Bhaskar."},"content":{"rendered":"\n<div class=\"wp-block-group alignfull has-base-background-color has-background has-global-padding is-layout-constrained wp-container-core-group-is-layout-258e4d99 wp-block-group-is-layout-constrained\" style=\"margin-top:0;margin-bottom:0;padding-top:var(--wp--preset--spacing--30);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--50)\">\n<div class=\"wp-block-group alignwide has-base-2-background-color has-background has-global-padding is-layout-constrained wp-container-core-group-is-layout-da4c956d wp-block-group-is-layout-constrained\" style=\"border-radius:25px;padding-top:var(--wp--preset--spacing--40);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--40);padding-left:var(--wp--preset--spacing--50)\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-5eaea892 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\"><h1 class=\"wp-block-post-title\">The Oxford Handbook of Publishing. Edited by Angus Phillips and Michael Bhaskar.<\/h1>\n\n<div class=\"wp-block-template-part\">\n<div class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-group alignwide has-contrast-color has-text-color has-link-color has-medium-font-size wp-elements-1 is-layout-flex wp-container-core-group-is-layout-3f968af1 wp-block-group-is-layout-flex\" style=\"font-style:normal;font-weight:600\"><div class=\"has-text-align-left has-link-color wp-elements-2 wp-block-post-date has-text-color has-contrast-color\"><a href=\"https:\/\/sharpweb.org\/sharpnews\/2021\/06\/18\/the-oxford-handbook-of-publishing-edited-by-angus-phillips-and-michael-bhaskar\/\"><time datetime=\"2021-06-18T06:00:00-04:00\">June 18, 2021<\/time><\/a><\/div>\n\n\n<p class=\"has-contrast-color has-text-color wp-block-paragraph\">\u2014<\/p>\n\n\n\n<p class=\"has-contrast-color has-text-color has-small-font-size wp-block-paragraph\">by<\/p>\n\n\n<div class=\"has-link-color wp-elements-3 wp-block-post-author-name has-text-color has-contrast-color\"><a href=\"\" target=\"_self\" class=\"wp-block-post-author-name__link\">Corinna Norrick-R\u00fchl<\/a><\/div>\n\n<div class=\"taxonomy-category has-link-color wp-elements-4 wp-block-post-terms has-text-color has-contrast-color\"><span class=\"wp-block-post-terms__prefix\">in <\/span><a href=\"https:\/\/sharpweb.org\/sharpnews\/category\/reviews\/book-review\/\" rel=\"tag\">Book review<\/a><span class=\"wp-block-post-terms__separator\">, <\/span><a href=\"https:\/\/sharpweb.org\/sharpnews\/category\/reviews\/\" rel=\"tag\">Reviews<\/a><\/div><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full is-resized has-custom-border\"><div class=\"wpcp-wp-lightbox-host wpcp-advanced-image-lightbox-icon-hover\"><a class=\"wpcp-wp-lightbox-image-link\" data-wpcp-wp-lb-image=\"1\" href=\"https:\/\/sharpweb.org\/sharpnews\/wp-content\/uploads\/2021\/06\/Oxford-handbook-Of-Publishing.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"448\" height=\"648\" src=\"https:\/\/sharpweb.org\/sharpnews\/wp-content\/uploads\/2021\/06\/Oxford-handbook-Of-Publishing.jpg\" alt=\"Cover for: The Oxford Handbook of Publishing. Edited by Angus Phillips and Michael Bhaskar.\" class=\"wp-image-5263\" style=\"border-radius:25px;width:370px;height:auto\" srcset=\"https:\/\/sharpweb.org\/sharpnews\/wp-content\/uploads\/2021\/06\/Oxford-handbook-Of-Publishing.jpg 448w, https:\/\/sharpweb.org\/sharpnews\/wp-content\/uploads\/2021\/06\/Oxford-handbook-Of-Publishing-207x300.jpg 207w\" sizes=\"auto, (max-width: 448px) 100vw, 448px\" \/><\/a><a href=\"https:\/\/sharpweb.org\/sharpnews\/wp-content\/uploads\/2021\/06\/Oxford-handbook-Of-Publishing.jpg\" data-fancybox=\"wpcp-wp-img-5263\" class=\"wpcp-lightbox-trigger wpcp-advanced-image-lightbox-icon wpcp-position-top-right wpcp-advanced-image-lightbox-icon-hover wpcp-global-lightbox-icon wpcp-lightbox-icon--global wpcp-lb-icon-style-default\" data-wpcp-lb-icon-source=\"global\" aria-label=\"Open image in lightbox\" data-thumb-src=\"https:\/\/sharpweb.org\/sharpnews\/wp-content\/uploads\/2021\/06\/Oxford-handbook-Of-Publishing-207x300.jpg\" data-wpcp-lb-single=\"1\"><span class=\"wpcp-icon-container\"><svg viewBox=\"0 0 20 20\"><path d=\"M17.6585 16.025L14.2437 12.6198C15.1716 11.3338 15.6121 9.7613 15.4871 8.1819C15.362 6.60251 14.6795 5.11847 13.5607 3.99351C12.936 3.36206 12.1916 2.86066 11.3709 2.51845C10.5502 2.17623 9.66952 2 8.77995 2C7.89039 2 7.00969 2.17623 6.18899 2.51845C5.36829 2.86066 4.62395 3.36206 3.99919 3.99351C3.36594 4.61649 2.86312 5.35871 2.51992 6.17708C2.17673 6.99545 2 7.87365 2 8.76068C2 9.64772 2.17673 10.5259 2.51992 11.3443C2.86312 12.1627 3.36594 12.9049 3.99919 13.5279C5.11957 14.6901 6.62279 15.4103 8.23285 15.5562C9.84291 15.7022 11.4517 15.2641 12.7639 14.3224L16.1788 17.7275C16.3849 17.9034 16.6473 18 16.9186 18C17.1899 18 17.4523 17.9034 17.6585 17.7275C18.1138 17.16 18.1138 16.5925 17.6585 16.025ZM5.59278 12.0523C5.16258 11.6298 4.82094 11.1263 4.58774 10.5709C4.35455 10.0156 4.23446 9.41951 4.23446 8.81744C4.23446 8.21536 4.35455 7.6193 4.58774 7.06394C4.82094 6.50859 5.16258 6.00503 5.59278 5.58257C6.01644 5.15359 6.52144 4.81292 7.07838 4.58039C7.63532 4.34786 8.23308 4.22811 8.83687 4.22811C9.44066 4.22811 10.0384 4.34786 10.5954 4.58039C11.1523 4.81292 11.6573 5.15359 12.081 5.58257C12.5112 6.00503 12.8528 6.50859 13.086 7.06394C13.3192 7.6193 13.4393 8.21536 13.4393 8.81744C13.4393 9.41951 13.3192 10.0156 13.086 10.5709C12.8528 11.1263 12.5112 11.6298 12.081 12.0523C11.6573 12.4813 11.1523 12.822 10.5954 13.0545C10.0384 13.287 9.44066 13.4068 8.83687 13.4068C8.23308 13.4068 7.63532 13.287 7.07838 13.0545C6.52144 12.822 6.01644 12.4813 5.59278 12.0523Z\" \/><\/svg><\/span><\/a><\/div><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-4bd16184 wp-block-group-is-layout-constrained\">\n<p class=\"has-text-align-center has-contrast-2-color has-text-color has-link-color has-system-serif-font-family has-large-font-size wp-elements-5 wp-block-paragraph\" style=\"line-height:1.2\"><strong><em>The Oxford Handbook of Publishing. <\/em>Edited by Angus Phillips and Michael Bhaskar. Oxford: Oxford University Press, 2019. $135.00 ISBN 9780198794202.<\/strong><\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Scholars working on 21<sup>st<\/sup>-century book studies face the ongoing challenge of conducting research on a \u201cmoving target\u201d, a term suggested by <a href=\"https:\/\/muse.jhu.edu\/article\/736560\">Rachel Noorda and Stevie Marsden in their recent \u201cState of the Field\u201d article in <em>Book History <\/em>volume 22<\/a><em>.<\/em><em> <\/em>Our research objects are changing rapidly, and while monographs we use often such as John B. Thompson\u2019s <em>Merchants of Culture <\/em>(second edition 2012) are excellent introductions, they are slowly becoming outdated.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For this handbook, Angus Philipps, director of the Oxford International Centre for Publishing, well-known to the publishing studies world as the co-author of <em>Inside Book Publishing <\/em>(sixth edition 2019) and editor-in-chief of <em>LOGOS<\/em>, joined forces with London-based industry insider Michael Bhaskar, author of <em>The Content Machine<\/em> (2013) and <em>Curation: The Power of Selection in a World of Excess<\/em> (2016). The 25 chapters, written by an impressive range of experts from mostly anglophone backgrounds, can be used as stand-alone introductions to research areas and questions pertaining to publishing and book studies. Many of the articles will certainly, deservedly, find their way onto publishing and book studies syllabi in the coming years. Before I sketch out the structure and contents of this volume, I would like to note that\u2014given the expansive scope of the handbook and the constraints of this brief review\u2014it would be impossible to cover all of the chapters in detail, for which I offer my apologies.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In their brief introduction, Philipps and Bhaskar consider why publishing is \u201cdifferent\u201d from other industries and also offer their definition of publishing for the purposes of the handbook: \u201cBy \u2018publishing\u2019 this volume tends loosely to mean \u2018book publishing\u2019, echoing the colloquial use and understanding of the term.\u201d (chapter 1, p. 4). Following the introduction, the handbook is structured into three large parts. Part I is titled \u201cPublishing in Context,\u201d part II considers \u201cThe Dynamics of Publishing\u201d and part III is titled \u201cPublishing in Practice.\u201d Parts I and II have a certain amount of overlap, as we will see below, while Part III is more distinct. The three large parts are rounded off by a coda on the future of publishing by Bhaskar and Philipps.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cPublishing in Context\u201d covers the following areas by experts in the respective field: \u201cPublishing History\u201d (Alistair McCleery), \u201cAuthorship\u201d (Simone Murray), \u201cReading\u201d (Adriaan van der Weel), \u201cCopyright and Publishing: Symbiosis in the Digital Environment\u201d (Mira T. Sundara Rajan), \u201cPublishing and Society\u201d (Elizabeth le Roux), \u201cPublishing and Culture: The Alchemy of Ideas\u201d (John Oakes), \u201cPublishing and Information\u201d (Martin Eve), \u201cNetworks: From Text to Hypertext, Publishing to Sharing, and Single Author to Collaborative Production\u201d (Carlos A. Scolari), \u201cPublishing and Corporate Social Responsibility\u201d (Angus Phillips). In his chapter, Alistair McCleery considers the history of publishing from Aldus Manutius until today. Read alongside McCleery\u2019s chapter in Leslie Howsam\u2019s <em>Cambridge Companion to the History of the Book <\/em>(2015), the chapter offers interesting insights into the differences and similarities between what is often termed \u201cbook history\u201d and \u201cpublishing studies.\u201d A highlight of Part I is certainly Mira T. Sundara Rajan\u2019s chapter on copyright and publishing, which I found particularly useful due to its wide and transnational approach.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Part II, \u201cThe Dynamics of Publishing\u201d starts with \u201cEconomics of Publishing\u201d and \u201cThe Strategy of Publishing\u201d (both authored by Albert N. Greco), followed by \u201cGlobalization and Publishing\u201d (Miha Kova\u010d and R\u00fcdiger Wischenbart), \u201cCuration in Publishing: Curatorial Paradigms, Filtering, and the Structure of Editorial Choice\u201d (Michael Bhaskar), \u201cTrade Publishing\u201d (John B. Thompson), \u201cAcademic Publishing\u201d (Samantha J. Rayner) and \u201cEducational Publishing: Primary and Secondary Education\u201d (Miha Kova\u010d and Mojca K. \u0160ebart). In this part of the volume, I particularly enjoyed Rayner\u2019s insights into where academic publishing stands in the twenty-first century. The setup of the entire second part is a stark (and welcome!) reminder to students and scholars of publishing that while much attention is focused on trade publishing, particularly trade fiction, there are other areas of the market which are highly profitable, very productive \u2013 and less risky than trade publishing.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Part III looks at \u201cPublishing in Practice.\u201d This section offers students and industry newcomers succinct introductions to a number of central topics. The chapters are able to offer more depth than the well-established introductory textbooks. Ideally, they will be read alongside an introduction like <em>Inside Book Publishing <\/em>(Angus Philipps and Giles Clark, 2019)and <em>The Publishing Business: A Guide to Starting Out and Getting On <\/em>(Kelvin Smith and Melanie Ramdarshan Bold, 2018). The chapters cover \u201cOrganizational Structures in Publishing\u201d (Frania Hall), \u201cBook Design\u201d (Paul Luna), \u201cPublishing and Technology\u201d (John Maxwell), \u201cMarketing for Publishing\u201d (Alison Baverstock), \u201cRights\u201d (Lynette Owen), \u201cLibraries\u201d (Alex Holzman and Sarah Lippincott) and \u201cBookselling\u201d (Niels Peter Thomas). I particularly recommend Frania Hall\u2019s overview.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As indicated, Michael Bhaskar and Angus Philipps offer a coda titled \u201cThe Future of Publishing: Eight Thought Experiments.\u201d This brief conclusion might be useful as an icebreaker for classroom discussions.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"> The contributor list of this new handbook reads like a Who\u2019s Who of contemporary (mostly anglophone) publishing studies and 21<sup>st<\/sup>-century book studies. However, more diverse voices could have been included, and more chapters could have been co-written across linguistic and national boundaries, to ensure broader perspectives and more representation. I also would have welcomed a chapter on research methods or trends in publishing studies research. Overall, though, the near-impossible effort to summarize the state of publishing in an almost 500-page handbook was successful, and it is certain that this volume will find many readers across disciplines such as literary studies, book studies and media studies over the coming years.<\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\">Corinna Norrick-R\u00fchl, University of Muenster, Germany<\/p>\n","protected":false},"excerpt":{"rendered":"<p>For this handbook, Angus Philipps, director of the Oxford International Centre for Publishing, well-known to the publishing studies world as the co-author of Inside Book Publishing (sixth edition 2019) and editor-in-chief of LOGOS, joined forces with London-based industry insider Michael Bhaskar, author of The Content Machine (2013) and Curation: The Power of Selection in a World of Excess (2016). The 25 chapters, written by an impressive range of experts from mostly anglophone backgrounds, can be used as stand-alone introductions to research areas and questions pertaining to publishing and book studies.<\/p>\n","protected":false},"author":1,"featured_media":5263,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"wp-custom-template-post-template-reviews","format":"standard","meta":{"footnotes":""},"categories":[1888,1887],"tags":[1904,1922,1953],"class_list":["post-2206","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-book-review","category-reviews","tag-authorship","tag-digital-culture","tag-publishing"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/sharpweb.org\/sharpnews\/wp-json\/wp\/v2\/posts\/2206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sharpweb.org\/sharpnews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sharpweb.org\/sharpnews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sharpweb.org\/sharpnews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sharpweb.org\/sharpnews\/wp-json\/wp\/v2\/comments?post=2206"}],"version-history":[{"count":7,"href":"https:\/\/sharpweb.org\/sharpnews\/wp-json\/wp\/v2\/posts\/2206\/revisions"}],"predecessor-version":[{"id":5676,"href":"https:\/\/sharpweb.org\/sharpnews\/wp-json\/wp\/v2\/posts\/2206\/revisions\/5676"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sharpweb.org\/sharpnews\/wp-json\/wp\/v2\/media\/5263"}],"wp:attachment":[{"href":"https:\/\/sharpweb.org\/sharpnews\/wp-json\/wp\/v2\/media?parent=2206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sharpweb.org\/sharpnews\/wp-json\/wp\/v2\/categories?post=2206"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sharpweb.org\/sharpnews\/wp-json\/wp\/v2\/tags?post=2206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}