{"id":4077,"date":"2024-06-24T14:00:00","date_gmt":"2024-06-24T18:00:00","guid":{"rendered":"https:\/\/sharpweb.org\/sharpnews\/?p=4077"},"modified":"2025-04-24T18:19:58","modified_gmt":"2025-04-24T22:19:58","slug":"sharp-annual-bibliography-2023","status":"publish","type":"post","link":"https:\/\/sharpweb.org\/sharpnews\/2024\/06\/24\/sharp-annual-bibliography-2023\/","title":{"rendered":"SHARP Annual Bibliography 2023"},"content":{"rendered":"\n
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Abdela, Sophie, Maxime Cartron, and Nicholas Dion, eds. Histoire de l\u2019\u00e9dition: enjeux et usages des partages disciplinaires (XVIe-XVIIIe si\u00e8cle)<\/em>. Paris: Classiques Garnier, 2023.<\/p>\n\n\n\n

Abdul Manaf, Nor Faridah, Rohaiza Rokis, and Wan Nur Madiha Ramian, eds. Budaya membaca di Malaysia: satu tinjauan terkini<\/em>. Petaling Jaya: Kenyalang, 2023.<\/p>\n\n\n\n

AbiFar\u00e8s, Huda Smitshuijzen, and John Kortbawi. Imprimerie Catholique 1848-2000, The Catholic Press of Beirut: A Printing & Design Legacy in the Arab East<\/em>. Amsterdam: Khatt Books, 2023.<\/p>\n\n\n\n

Abrighach, Mohamed, ed. Edici\u00f3n y libro espa\u00f1ol en Marruecos<\/em>. Agadir: Publicaciones de la Facultad de Letras y Ciencias Humanas, Laboratorio de Investigaci\u00f3n sobre Marruecos y el Mundo Hisp\u00e1nico, 2023.<\/p>\n\n\n\n

Adam, Gottfried. Thumb Bibles: The History of a Literary Genre<\/em>. Leiden: Brill, 2023.<\/p>\n\n\n\n

Adams, Robyn, and Jacqueline L. Glomski, eds. Seventeenth-Century Libraries: Problems and Perspectives<\/em>. Leiden: Brill, 2023.<\/p>\n\n\n\n

Agudelo Ochoa, Ana Mar\u00eda, Nancy Vargas Castro, and Danilo Penagos Jaramillo. Edici\u00f3n de literatura en Colombia, 1944-2016: sesenta a\u00f1os de Ediciones Espiral, Tercer Mundo y Norma<\/em>. Bogot\u00e1: Editorial Pontificia Universidad Javeriana; Editorial Universidad del Rosario, 2023.<\/p>\n\n\n\n

Agud\u00edn Men\u00e9ndez, Jos\u00e9 Luis. El Siglo Futuro: un diario carlista en tiempos republicanos (1931-1936)<\/em>. Zaragoza: Prensas de la Universidad de Zaragoza, 2023.<\/p>\n\n\n\n

Ahmed, Maaheen, ed. The Cambridge Companion to Comics<\/em>. Cambridge: Cambridge University Press, 2023. https:\/\/doi.org\/10.1017\/9781009255653<\/a>.<\/p>\n\n\n\n

Alderson, Brian, and Andrea Immel, eds. Profits from the Nursery: Booksellers Discover Children\u2019s Books in the Hand-Press Period<\/em>. London; Princeton: Children\u2019s Books History Society; Cotsen Children\u2019s Library, 2023.<\/p>\n\n\n\n

Allahyari, Keyvan. Peter Carey: The Making of a Global Novelist<\/em>. Cham: Springer, 2023. doi:10.1007\/978-3-031-27564-7<\/a>.<\/p>\n\n\n\n

Allen, Garrick Vernon, Kelsie Gayle Rodenbiker, Anthony Philip Royle, Jill Unkel, and Usama Gad, eds. The Chester Beatty Biblical Papyri at Ninety Literature, Papyrology, Ethics<\/em>. Berlin: De Gruyter, 2023. <\/p>\n\n\n\n

Alsancakli, Sacha, and Philip Bockholt, eds. Authorship and Textual Transmission in the Manuscript Age: Contextualising Ideological Variants in Persian Texts<\/em>. Paris: Association pour l\u2019avancement des \u00c9tudes Iraniennes, 2023.<\/p>\n\n\n\n

Alsemgeest, Alex, Steven Claeyssens, and Trude Dijkstra, eds. Technologie & transformatie: = Technology and transformation<\/em>. Amsterdam: Amsterdam University Press, 2023.<\/p>\n\n\n\n

Altarriba, A. Los 80 dibujados: c\u00f3mics de la movida aragonesa<\/em>. Zaragoza: Prensas de la Universidad de Zaragoza, 2023.<\/p>\n\n\n\n

Altuncu, Abdullah. Kilise ve sans\u00fcr: papal\u0131\u011f\u0131n ibrani matbuat\u0131na y\u00f6nelik sans\u00fcr\u00fc<\/em>. Ankara: Ankara Okulu Yay\u0131nlar\u0131, 2023.<\/p>\n\n\n\n

Alyal, Amina, ed. Literature and Image in the Long Nineteenth Century: Speaking Picture and Silent Text<\/em>. Newcastle upon Tyne: Cambridge Scholars Publishing, 2023.<\/p>\n\n\n\n

Ames, Alexander Lawrence, and Mark Samuels Lasner. Grolier Club Bookplates: Past & Present<\/em>. New York: The Grolier Club, 2023.<\/p>\n\n\n\n

Amsler, Monika. The Babylonian Talmud and Late Antique Book Culture<\/em>. Cambridge: Cambridge University Press, 2023. doi:10.1017\/9781009297349<\/a>.<\/p>\n\n\n\n

Andreas, Petr, and Martin \u0160tefek, eds. Optim\u00e1ln\u00ed cenzurou bude k\u00e1drov\u00e1 politika: tiskov\u00e1 politika v obdob\u00ed tzv. normalizace 1968-1989<\/em>. Praha: Academia, 2023.<\/p>\n\n\n\n

Andreoli, Ilaria, and Helena Katalin Sz\u00e9pe, eds. The Art of the Renaissance Book: Tributes in Honor of Lilian Armstrong<\/em>. Turnhout: Brepols, 2023.<\/p>\n\n\n\n

Andrist, Patrick, \u00c9lodie Attia, and Marilena Maniaci, eds. From the Thames to the Euphrates: Intersecting Perspectives on Greek, Latin and Hebrew Bibles<\/em>. Berlin: De Gruyter, 2023.<\/p>\n\n\n\n

Antolin, Alexandre. Une censure \u00e9ditoriale: Ravages de Violette Leduc<\/em>. Lyon: Presses universitaires de Lyon, 2023.<\/p>\n\n\n\n

Appel, Charlotte, Nina Christensen, and M. O. Grenby, eds. Transnational Books for Children 1750-1900<\/em>. Clcc.15<\/em>. Amsterdam: John Benjamins Publishing Company, 2023. <\/p>\n\n\n\n

Aresu, Francesco Marco. Manuscript Poetics: Materiality and Textuality in Medieval Italian Literature<\/em>. Notre Dame, IN: University of Notre Dame Press, 2023.<\/p>\n\n\n\n

Argudo Mart\u00ednez, Arantza. Mujeres dibujantes del c\u00f3mic espa\u00f1ol en los a\u00f1os del boom (1975-1992): la entrada de la mujer en la industria de la narraci\u00f3n gr\u00e1fica espa\u00f1ola<\/em>. Zaragoza: Prensas de la Universidad de Zaragoza, 2023. <\/p>\n\n\n\n

Asat\u02bbiani, K\u02bbet\u02bbevan. K\u02bbart\u02bbuli xelnacerebi da istoriuli sabut\u02bbebi<\/em>. Tbilisi: Sak\u02bbart\u02bbvelos erovnuli ark\u02bbivi (National Archives of Georgia), 2023.<\/p>\n\n\n\n

Aslanian, Sebouh David. Early Modernity and Mobility: Port Cities and Printers across the Armenian Diaspora, 1512-1800<\/em>. New Haven: Yale University Press, 2023. <\/p>\n\n\n\n

Atkinson, David, and Steve Roud, eds. Cheap Print and Street Literature of the Long Eighteenth Century<\/em>. Cambridge: Open Book Publishers, 2023. doi:10.11647\/obp.0347<\/a>.<\/p>\n\n\n\n

Babka, Luk\u00e1\u0161. Slovansk\u00e1 Knihovna 1924-2024: pr\u016fvodce po d\u011bjin\u00e1ch, fondech a slu\u017eb\u00e1ch = the Slavonic Library, Prague 1924-2024\u202f: a guide to its history, funds and services<\/em>. Praha: N\u00e1rodn\u00ed knihovna \u010cesk\u00e9 republiky, 2023.<\/p>\n\n\n\n

Baetens, Jan, Hugo Frey, and Fabrice Leroy, eds. The Cambridge Companion to the American Graphic Novel<\/em>. New York: Cambridge University Press, 2023. https:\/\/doi.org\/10.1017\/9781009379311<\/a>.<\/p>\n\n\n\n

Bainbridge, Abigail. Conservation of Books<\/em>. London: Routledge, 2023. doi:10.4324\/9781003162674<\/a>.<\/p>\n\n\n\n

Bales, Stephen, and Wendi Arant Kaspar. Serapis: The Sacred Library and Its Declericalization<\/em>. Sacramento: Library Juice Press, 2023.<\/p>\n\n\n\n

Bali, R\u0131fat N., ed. Kit\u00e2biyat, k\u00fct\u00fcphaneler ve ar\u015fivler \u00e2lemi<\/em>. \u0130stanbul: Libra Kitap\u00e7\u0131l\u0131k ve Yay\u0131nc\u0131l\u0131k, 2023.<\/p>\n\n\n\n

Bandits in Print The Water Margin and the Transformations of Vernacular Fiction<\/em>. Ithaca, NY: Cornell University Press, 2023. <\/p>\n\n\n\n

Banou, Penelope, Georgios Boudalis, Patricia Engel, Stephen R. Hill, Joseph Schir\u00f2, and Jedert Vodopivec, eds. Artists\u2019 Paper: A Case in Paper History<\/em>. Horn: Verlag Berger, 2023.<\/p>\n\n\n\n

Barbuschak, Chris, Suzanne S. LaPierre, and Sujatha Hampton. Desegregation in Northern Virginia Libraries<\/em>. Charleston, SC: The History Press, 2023.<\/p>\n\n\n\n

Baroni, Silvia. L\u2019immagine alla lettera: la letteratura illustrata e il caso Balzac<\/em>. Roma: Artemide, 2023. <\/p>\n\n\n\n

B\u00e1rtolo, Jos\u00e9. Hist\u00f3ria do design gr\u00e1fico em Portugal: perspectivas cr\u00edticas<\/em>. Lisbon; Matosinhos: P\u00fablico; Esad-idea, Investiga\u00e7\u00e3o em Design e Arte, 2023.<\/p>\n\n\n\n

Bascu\u00f1\u00e1n Correa, Patricio. Masivas e ilustradas: portadas de libros de bolsillo en el Cono Sur (1956-1973)<\/em>. Santiago de Chile: LOM Ediciones, 2023.<\/p>\n\n\n\n

Bassi, Giulia. \u201cCon assoluta sincerit\u00e0\u201d: il lavoro editoriale di Natalia Ginzburg (1943-1952)<\/em>. Firenze; Siena: Firenze University Press\u202f; USiena Press, 2023.<\/p>\n\n\n\n

Baudino, Isabelle. Eighteenth-Century Engravings and Visual History in Britain<\/em>. New York: Routledge, 2023.<\/p>\n\n\n\n

Bausi, Alessandro, and Michael Friedrich, eds. Tied and Bound: A Comparative View on Manuscript Binding<\/em>. volume 33. Berlin: De Gruyter, 2023.<\/p>\n\n\n\n

Bautista, Antonio Carpallo. El taller de encuadernaci\u00f3n de la familia Raso y su relaci\u00f3n con la Real Academia de Ciencias Exactas, F\u00edsicas y Naturales (1906-1959).<\/em> Madrid: Dykinson, 2023. doi:10.2307\/jj.5076239<\/a>.<\/p>\n\n\n\n

Baydova, Anna. Illustrer le livre: peintres et enlumineurs dans l\u2019\u00e9dition parisienne de la Renaissance<\/em>. Tours: Presses universitaires Fran\u00e7ois Rabelais, 2023.<\/p>\n\n\n\n

Beeley, Philip, and Ciar\u00e1n Mac an Bhaird, eds. Mathematical Book Histories: Printing, Provenance, and Practices of Reading<\/em>. Cham: Springer, 2023.<\/p>\n\n\n\n

Benoit, C\u00e9line. Livres r\u00e9v\u00e9s: merveilles de l\u2019\u00e9criture et de la lecture dans le conte de f\u00e9es (1690-1788)<\/em>. Paris: Honor\u00e9 Champion \u00c9diteur, 2023.<\/p>\n\n\n\n

Bentein, Klaas, and Yasmine Amory, eds. Novel Perspectives on Communication Practices in Antiquity: Towards a Historical Social-Semiotic Approach<\/em>. Leiden: Brill, 2023.<\/p>\n\n\n\n

Berardi, Francesco, Andrea Lombardinilo, and Pierluigi Ortolano, eds. Comunicare McLuhan: la Galassia Gutenberg tra sociologia, lingua e retorica<\/em>. Firenze: Leo S. Olschki editore, 2023.<\/p>\n\n\n\n

Bergamin, Giovanni, and Tiziana Possemato, eds. Guardando oltre i confini: partire dalla tradizione per costruire il futuro delle biblioteche\u202f: studi e testimonianze per i 70 anni di Mauro Guerrini<\/em>. Roma: Associazione italiana biblioteche, 2023.<\/p>\n\n\n\n

Berkovitz, Abraham Jacob. A Life of Psalms in Jewish Late Antiquity<\/em>. Philadelphia: University of Pennsylvania Press, 2023. <\/p>\n\n\n\n

Berliner, Jonathan. William Faulkner and the Materials of Writing<\/em>. Cambridge: Cambridge University Press, 2023. doi:10.1017\/9781009222365<\/a>.<\/p>\n\n\n\n

Bernstein, Jane A. Printing Music in Renaissance Rome<\/em>. New York: Oxford University Press, 2023.<\/p>\n\n\n\n

Bertelli, Sandro, Costantino Marmo, and Anna Pegoretti, eds. Libri e lettori al tempo di Dante: la Biblioteca di Santa Croce in Firenze\u202f: atti delle Giornate di studio (Ferrara, Biblioteca comunale ariostea, 13-14 maggio 2022)<\/em>. Ravenna: Longo editore, 2023. <\/p>\n\n\n\n

Bessard-Banquy, Olivier. Modernit\u00e9 du livre: de nouvelles maisons d\u2019\u00e9dition pour de nouveaux lectorats<\/em>. Joinville-le-Pont, France: Double Ponctuation, 2023.<\/p>\n\n\n\n

Bhattacharya, Sunayani. The Novel in Nineteenth-Century Bengal: Becoming Readers in Colonial India<\/em>. New York: Bloomsbury Academic, 2023.<\/p>\n\n\n\n

Bickenbach, Matthias. Bildschirm und Buch: Versuch \u00fcber die Zukunft des Lesens<\/em>. Berlin: Kulturverlag Kadmos, 2023.<\/p>\n\n\n\n

Bikialo, St\u00e9phane, Maryline Heck, and Dominique Rabat\u00e9, eds. P.O.L: futur, ancien, actuel<\/em>. Dijon: Les Presses du r\u00e9el, 2023.<\/p>\n\n\n\n

Blanc, Philippe. Avant la lettre: le dr\u00f4le de clin d\u2019\u0153il d\u2019un caract\u00e8re inconnu, pr\u00e9curseur de la typographie de fantaisie<\/em>. Paris: Fontegr\u00e2ce, 2023.<\/p>\n\n\n\n

Blaudeau, Philippe, and V\u00e9ronique Sarrazin, eds. Faux et usage de faux: l\u2019historien face \u00e0 la question de la cr\u00e9dibilit\u00e9 documentaire<\/em>. Rennes: Presses universitaires de Rennes, 2023.<\/p>\n\n\n\n

Bolton, Claire M. The Incunable Collection in Memmingen Stadtarchiv: History, Introduction and Catalogue<\/em>. Memmingen: Stadtarchiv, 2023.<\/p>\n\n\n\n

B\u00f6ninger, Lorenz. Il mercato del libro nella Firenze del Rinascimento: la bottega del cartolaio Benedetto di Giovanni e la lite per l\u2019eredit\u00e0 di Peter Ugelheimer\u202f: studi e documenti<\/em>. Roma: Edizioni di storia e letteratura, 2023.<\/p>\n\n\n\n

Borello, Benedetta, and Laura Casella, eds. Paper Heritage in Italy, France, Spain and beyond (16th to 19th Centuries): Collector Aspirations & Collection Destinies<\/em>. London: Routledge, 2023.<\/p>\n\n\n\n

Bosc, Jean-Louis. Les biblioth\u00e8ques m\u00e9dicales montpelli\u00e9raines sous l\u2019Ancien R\u00e9gime: permanence des auctoritates m\u00e9di\u00e9vales dans les biblioth\u00e8ques modernes<\/em>. Montpellier: Presses universitaires de la M\u00e9diterran\u00e9e, 2023.<\/p>\n\n\n\n

Bosc, Olivier, and Claire Lesage. Le rouleau des 120 journ\u00e9es de Sodome<\/em>. Paris: Biblioth\u00e8que nationale de France, 2023. <\/p>\n\n\n\n

Boydak, Fatma \u015eeyma. Sel\u00e7uklu ve beylikler devri cild sanat\u0131: Kastamonu Yazma Eser K\u00fct\u00fcphanesi \u00f6rnekleri<\/em>. Konya: Necmettin Erbakan \u00dcniversitesi Yay\u0131nlar\u0131, 2023.<\/p>\n\n\n\n

Brockstieger, Sylvia, and Rebecca Hirt, eds. Handschrift im Druck (ca. 1500-1800): annotieren, korrigieren, weiterschreiben<\/em>. Berlin: De Gruyter, 2023.<\/p>\n\n\n\n

Brockstieger, Sylvia, and Paul Schweitzer-Martin, eds. Between Manuscript and Print: Transcultural Perspectives, ca. 1400-1800<\/em>. Boston: De Gruyter, 2023.<\/p>\n\n\n\n

Brooker, Robert Elton, and \u00c1d\u00e1m Erd\u00e9sz. Albert Kner: Artist, Icon, Legend: Discovering His Legacy in Industrial Design<\/em>. Budapest; Boston: Corvina Kiad\u00f3; Club of Odd Volumes, 2023.<\/p>\n\n\n\n

Brophy, James M., Gabriele B. Clemens, and B\u00e4rbel Holtz, eds. Vorm\u00e4rzliche Verleger zwischen Zensur, Buchmarkt und Lesepublikum<\/em>. Ostfildern: Jan Thorbecke Verlag, Verlagsgruppe Patmos, 2023.<\/p>\n\n\n\n

Brown, Catherine. Remember the Hand: Manuscription in Early Medieval Iberia<\/em>. New York: Fordham University Press, 2023.<\/p>\n\n\n\n

Brownlees, Nicholas. The Edinburgh History of the British and Irish Press<\/em>. Edinburgh: Edinburgh University Press, 2023.<\/p>\n\n\n\n

Bubb, Alexander. Asian Classics on the Victorian Bookshelf: Flights of Translation<\/em>. Oxford: Oxford University Press, 2023.<\/p>\n\n\n\n

B\u00fcchli, Lysander, Alyssa Steiner, and Tina Terrahe, eds. Sebastian Brant, das \u201cNarrenschiff\u201d und der fr\u00fche Buchdruck in Basel: zum 500. Todestag eines humanistischen Gelehrten<\/em>. Basel: Schwabe Verlag, 2023.<\/p>\n\n\n\n

Bueno, Lenice. O realismo na literatura juvenil: Odette de Barros Mott e a den\u00fancia social<\/em>. Porto Alegre: Editora Zouk, 2023.<\/p>\n\n\n\n

Burschel, Janke, Sarah, and Serjogin, Alexandra, eds. Der rote Faden: K\u00fcnstlerb\u00fccher der Herzog August Bibliothek (2000-2022)<\/em>. Wolfenb\u00fcttel; Wiesbaden: Herzog August Bibliothek; Harrassowitz Verlag, 2023.<\/p>\n\n\n\n

Butler, Virginia McGee. Becoming Ezra Jack Keats<\/em>. Jackson, MS: University Press of Mississippi, 2023.<\/p>\n\n\n\n

Cachero, Montserrat, and Natalia Maillard \u00c1lvarez, eds. Book Markets in Mediterranean Europe and Latin America Institutions and Strategies (15th-18th Centuries)<\/em>. Cham: Palgrave Macmillan, 2023. <\/p>\n\n\n\n

Caers, Bram, and Jan Pauwels, eds. De Rijmbijbel van Jacob van Maerlant: het oudste ge\u00efllustreerde handschrift in het Nederlands<\/em>. Amsterdam: Amsterdam University Press, 2023.<\/p>\n\n\n\n

Caldelli, Elisabetta. I bestsellers del Medioevo e della prima Et\u00e0 moderna: tra evasione, studio e devozione<\/em>. Roma: Edizioni Efesto, 2023.<\/p>\n\n\n\n

Cambron-Goulet, Mathilde. Partager les savoirs: pratiques orales et \u00e9crites de la philosophie dans l\u2019Antiquit\u00e9<\/em>. Paris: Classiques Garnier, 2023.<\/p>\n\n\n\n

Campillo Pardo, Alberto Jos\u00e9. Comerciantes, censores y bibliotecas: circulaci\u00f3n del libro entre Espa\u00f1a y Nueva Granada en el siglo XVIII<\/em>. Bogot\u00e1: Pontificia Universidad Javeriana, 2023. <\/p>\n\n\n\n

Candal, Geri Della Rocca de, Anthony Grafton, and Paolo Sachet, eds. Printing and Misprinting: A Companion to Mistakes and In-House Corrections in Renaissance Europe (1450-1650)<\/em>. Oxford: Oxford University Press, 2023.<\/p>\n\n\n\n

Carbone, Pierre. Les biblioth\u00e8ques<\/em>. Paris: Presses universitaires de France; Humensis, 2023.<\/p>\n\n\n\n

Carley, James P., and Charles Burnett, eds. Hebraism in Sixteenth-Century England: Robert and Thomas Wakefield<\/em>. Toronto: Pontifical Institute of Mediaeval Studies, 2023.<\/p>\n\n\n\n

Caroli, Dorena. L\u2019illustration jeunesse russe: une histoire graphique (1917-1934)<\/em>. Paris; Arles: Imprimerie nationale \u00e9ditions; Actes Sud, 2023.<\/p>\n\n\n\n

Carpallo Bautista, Antonio, and Ferm\u00edn de los Reyes G\u00f3mez, eds. Fuentes de informaci\u00f3n para el libro antiguo<\/em>. Madrid: Editorial Fragua, 2023.<\/p>\n\n\n\n

Carroll, Jane Suzanne. British Children\u2019s Literature and Material Culture: Commodities and Consumption 1850-1914<\/em>. London: Bloomsbury Academic, 2023.<\/p>\n\n\n\n

Cassidy, Richard. Approaching Pipe Rolls The Thirteenth Century<\/em>. London: Taylor & Francis, 2023. <\/p>\n\n\n\n

Castagnoli, Anna, and Lo\u00efc Boyer. L\u2019illustration jeunesse: histoire, codes et styles\u202f: catalogue du parcours permanent du mus\u00e9e de l\u2019illustration jeunesse<\/em>. Dijon: \u00c9ditions Faton, 2023.<\/p>\n\n\n\n

Castronuovo, Antonio. Il male dei fiori: Baudelaire a processo<\/em>. Soveria Mannelli: Rubbettino, 2023.<\/p>\n\n\n\n

Catalano, Agustina. Puede brotar el fuego o la hermosura: literatura, pol\u00edtica y edici\u00f3n en la obra de Roberto Santoro<\/em>. C\u00f3rdoba, Argentina: Alci\u00f3n Editora, 2023.<\/p>\n\n\n\n

Catalogo delle cinquecentine del Fondo librario del Convento della Madonna del Sasso a Orselina<\/em>. Roma: Istituto storico dei Cappuccini, 2023.<\/p>\n\n\n\n

Celvar\u0101j\u0101, En\u0332. V\u012brak\u0113cariyin\u0332 patippulakam: el\u0332upatuka\u1e37il \u012al\u0332attin\u0332 Tamil\u0332n\u016bl ve\u1e37iy\u012b\u1e6d\u1e6din\u0332 el\u0332ucci<\/em>. Piri\u1e6d\u1e6d\u0101n\u0332iyak Ki\u1e37ai; Kolumpu: Ay\u014dtti N\u016blaka C\u0113vaika\u1e37; Kumaran Puttaka Illam, 2023.<\/p>\n\n\n\n

Cenati, Giuliano. Figure da leggere: generi e prassi del fumetto in Italia (e dintorni), dal \u201cBertoldo\u201d al graphic novel<\/em>. Milano: Mimesis, 2023. <\/p>\n\n\n\n

Chapron, Emmanuelle, and Fabienne Henryot, eds. Archives en biblioth\u00e8ques, XVIe-XXIe si\u00e8cles<\/em>. Lyon: ENS Editions; Institut d\u2019histoire du livre, 2023.<\/p>\n\n\n\n

Chookaszian, Emma. The Gospel of Prince Vasak and the Iconographic Traditions of Armenian Royal Manuscripts of Cilicia<\/em>. Yerevan: Author\u2019s edition, 2023.<\/p>\n\n\n\n

Clermidy-Patard, Genevi\u00e8ve. Madame de Murat et la \u201cd\u00e9fense des dames\u201d: un discours au f\u00e9minin \u00e0 la fin du r\u00e8gne de Louis XIV<\/em>. Paris: Classiques Garnier, 2023.<\/p>\n\n\n\n

Coch, Charlotte, Torsten Hahn, and Nicolas Pethes, eds. Lesen \/ Sehen: Literatur als wahrnehmbare Kommunikation<\/em>. Bielefeld: Transcript Verlag, 2023.<\/p>\n\n\n\n

Coffin, Judith G. Sexe, amour et f\u00e9minisme: quand on \u00e9crivait \u00e0 \u00ab\u202fMadame de Beauvoir\u202f\u00bb<\/em>. Paris: Plon, 2023.<\/p>\n\n\n\n

Cohen, Nathan. Yiddish Transformed: Reading Habits in the Russian Empire, 1860-1914<\/em>. Translated by Rebecca Wolpe. New York: Berghahn Books, 2023.<\/p>\n\n\n\n

Coilly, Nathalie, and Caroline Vrand, eds. Imprimer!: l\u2019Europe de Gutenberg 1450-1520<\/em>. Paris: Biblioth\u00e8que nationale de France, 2023.<\/p>\n\n\n\n

Coluzzi, Federica, and Jacob Blakesley, eds. The Afterlife of Dante\u2019s Vita Nova in the Anglophone World: Interdisciplinary Perspectives on Translation and Reception History<\/em>. New York: Routledge, 2023. doi:10.4324\/9781003181880<\/a>.<\/p>\n\n\n\n

Conary, Jennifer, and Mary L. Shannon, eds. G.W.M. Reynolds Reimagined: Studies in Authorship, Radicalism, and Genre, 1830-1870<\/em>. New York: Routledge, 2023.<\/p>\n\n\n\n

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Czerenkiewicz, Micha\u0142. Oficyna Schedl\u00f3w: w \u015bwiecie drukowanej ksi\u0105\u017cki XVII i pocz\u0105tk\u00f3w XVIII wieku<\/em>. Krak\u00f3w: Wydawnictwo Uniwersytetu Jagiello\u0144skiego, 2023.<\/p>\n\n\n\n

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Dorofeeva, Anna. Reading Nature in the Early Middle Ages: Writing, Language, and Creation in the Latin Physiologus, ca. 700-1000<\/em>. Leeds: Arc Humanities Press, 2023.<\/p>\n\n\n\n

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Dunst, Alexander. The Rise of the Graphic Novel: Computational Criticism and the Evolution of Literary Value<\/em>. Cambridge: Cambridge University Press, 2023. https:\/\/doi.org\/10.1017\/9781009182942<\/a>.<\/p>\n\n\n\n

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Ellis, Markman. Science and Reading in the Eighteenth Century: The Hardwicke Circle and the Royal Society, 1740-1766<\/em>. Cambridge: Cambridge University Press, 2023.<\/p>\n\n\n\n

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Fern\u00e1ndez, Laura Cristina, Amadeo Gandolfo, and Pablo Turnes, eds. Burning down the House: Latin American Comics in the 21st Century<\/em>. Abingdon, Oxon: Routledge, 2023.<\/p>\n\n\n\n

Fern\u00e1ndez Men\u00e9ndez, Raquel. Lecturas firmadas: antolog\u00edas po\u00e9ticas y discursos de g\u00e9nero en la Espa\u00f1a franquista (1944-1965)<\/em>. Granada: Editorial Comares, 2023. <\/p>\n\n\n\n

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Fischer, Ernst, and Reinhard Wittmann, eds. Geschichte des deutschen Buchhandels im 19. und 20. Jahrhundert. Band 3. Drittes Reich, Teil 2<\/em>. Berlin: De Gruyter, 2023.<\/p>\n\n\n\n

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Fonseca, Jorge. Impressores e livreiros em \u00c9vora nos s\u00e9culos XVI e XVII<\/em>. Ribeir\u00e3o: H\u00famus, 2023.<\/p>\n\n\n\n

Forsythe Paul, Holly. The Sister Arts: Fashioning the Victorian Luxury Book<\/em>. Toronto: The Thomas Fisher Rare Book Library, University of Toronto, 2023.<\/p>\n\n\n\n

Forte, Alessandra. Copisti di immagini: affinit\u00e0 iconografiche nella tradizione manoscritta della Commedia<\/em>. Roma: Viella, 2023.<\/p>\n\n\n\n

Fran\u00e7ozo, Mariana, ed. Toward an Intercultural Natural History of Brazil: The Historia Naturalis Brasiliae Reconsidered<\/em>. New York: Routledge, 2023.<\/p>\n\n\n\n

Franzel, Sean. Writing Time: Studies in Serial Literature, 1780-1850<\/em>. Ithaca, NY: Cornell University Press; Cornell University Library, 2023.<\/p>\n\n\n\n

Fraser, W. Hamish. The Edinburgh History of Scottish Newspapers, 1850-1950<\/em>. Edinburgh: Edinburgh University Press, 2023.<\/p>\n\n\n\n

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Frobert, Ludovic. Quelques lignes d\u2019utopie: Pierre Leroux et la communaut\u00e9 des imprimeux (Boussac, 1844-1848)<\/em>. Marseille: Agone, 2023.<\/p>\n\n\n\n

Fr\u00f6hlich, Niklas, Bastian Politycki, Dirk Sch\u00e4fer, and Annkathrin Sonder, eds. Der Text Und Seine (Re)Produktion<\/em>. Berlin: De Gruyter, 2023.<\/p>\n\n\n\n

Froneman, J. D. Ter wille van oorlewing, ideologie en geld: perspektiewe op die geskiedenis van die Afrikaanse media<\/em>. Centurion: Akademia Uitgewery, 2023.<\/p>\n\n\n\n

F\u00fchrer, D\u00f6rthe, and Mikkel Mangold. Katalog der mittelalterlichen Handschriften des Franziskanerklosters Freiburg<\/em>. Basel: Schwabe Verlag, 2023.<\/p>\n\n\n\n

Fuhrmann, Christina, and Alison Mero, eds. Opera & British Print Culture in the Long Nineteenth Century<\/em>. Clemson, SC: Clemson University Press, 2023.<\/p>\n\n\n\n

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Furrer, Norbert. B\u00fccher in Frauenhand: Bibliotheksbesitzerinnen in der Schweiz des 18. Jahrhunderts<\/em>. Z\u00fcrich: Chronos, 2023.<\/p>\n\n\n\n

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Gajarawala, Toral Jatin, Neelam Francesca Rashmi Srivastava, Rajeswari Sunder Rajan, and Jack Webb, eds. The Bloomsbury Handbook of Postcolonial Print Cultures<\/em>. London: Bloomsbury Academic, 2023.<\/p>\n\n\n\n

Gambaro, Elisa, and Stefano Ghidinelli, eds. Come circola la poesia nel secondo Novecento: mappare il campo da vicino e da lontano<\/em>. Dueville: Ronzani editore, 2023. <\/p>\n\n\n\n

Gameson, Richard, Andrew Beeby, Flavia Fiorillo, Catherine E. Nicholson, Suzanne Reynolds, and Paola Ricciardi. The Pigments of British Medieval Illuminators: A Scientific and Cultural Study<\/em>. Edited by Richard Gameson. London: Archetype Publications Ltd, 2023.<\/p>\n\n\n\n

Ganjav\u012b, Mahd\u012b. Education and the Cultural Cold War in the Middle East: The Franklin Book Programs in Iran<\/em>. London: I.B. Tauris, 2023.<\/p>\n\n\n\n

Garc\u00eda Su\u00e1rez, Pedro. Lectoras, escritoras y poderosas: una aproximaci\u00f3n a las santas vivas castellanas (1400-1550) desde el libro y la lectoescritura<\/em>. Madrid: Dykinson, 2023. <\/p>\n\n\n\n

Garibaldi, Korey. Impermanent Blackness: The Making and Unmaking of Interracial Literary Culture in Modern America<\/em>. Princeton: Princeton University Press, 2023.<\/p>\n\n\n\n

Garone Gravier, Marina. Introducci\u00f3n a la cultura visual y material del libro antiguo<\/em>. Bogot\u00e1; Guadalajara; C\u00f3rdoba, Argentina; Santiago, Chile: Universidad de los Andes; Universidad de Guadalajara; Universidad Nacional de Villa Maria; Pontificia Universidad Cat\u00f3lica de Chile, 2023.<\/p>\n\n\n\n

Garritano, Daniele. Un\u2019affollata solitudine: per una sociologia della lettura<\/em>. Roma: Carocci editore, 2023. <\/p>\n\n\n\n

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Gatta, Massimo, ed. Un editore e le sue idee: Enrico Bemporad e la prima Fiera internazionale del libro di Firenze<\/em>. Macerata: Biblohaus, 2023. <\/p>\n\n\n\n

Gatti, Elena. Francesco Zambrini tra filologia e bibliografia<\/em>. Dueville: Ronzani editore, 2023. <\/p>\n\n\n\n

G\u00e1zquez Cano, M\u00edriam. Juan Ram\u00f3n Masoliver: edici\u00f3n y cultura en la Barcelona de posguerra<\/em>. Madrid: F\u00f3rcola, 2023.<\/p>\n\n\n\n

Gehbald, Agnes. A Colonial Book Market: Peruvian Print Culture in the Age of Enlightenment<\/em>. Cambridge: Cambridge University Press, 2023. doi:10.1017\/9781009360876<\/a>.<\/p>\n\n\n\n

Gervais, Bertrand. Un imaginaire de la fin du livre: Litt\u00e9rature et \u00e9crans<\/em>. Montr\u00e9al: Presses de l\u2019Universit\u00e9 de Montr\u00e9al, 2023.<\/p>\n\n\n\n

Giovine, Mar\u00eda Andrea, and \u00c1lvaro Ruiz Rodilla, eds. Constancia de la fugacidad: contribuciones a la historia del periodismo cultural en M\u00e9xico, siglo XX<\/em>. Ciudad de M\u00e9xico: Universidad Nacional Aut\u00f3noma de M\u00e9xico, Instituto de Investigaciones Bibliogr\u00e1ficas, 2023.<\/p>\n\n\n\n

Girard, Aur\u00e9lien, Vassa Kontouma, and Bernard Heyberger, eds. Livres et confessions chr\u00e9tiennes orientales. Une histoire connect\u00e9e entre l?Empire ottoman, le monde slave et l?Occident (XVIe-XVIIIe si\u00e8cles)<\/em>. Turnhout: Brepols, 2023.<\/p>\n\n\n\n

Glaude, Beno\u00eet. Comics and Novelization: A Literary History of Bandes Dessin\u00e9es<\/em>. New York: Routledge, 2023.<\/p>\n\n\n\n

Gold, Alexandra J. The Collaborative Artist\u2019s Book: Evolving Ideas in Contemporary Poetry and Art<\/em>. Iowa City: University of Iowa Press, 2023.<\/p>\n\n\n\n

Golinets, Viktor, ed. Beredte Objekte: Provenienzforschung Zu NS-Raubgut<\/em>. Heidelberg: Universit\u00e4tsverlag Winter, 2023.<\/p>\n\n\n\n

Gomes, Rui Machado, and Jorge Ramos do O, eds. A urg\u00eancia da palavra impressa: a imprensa dos \u00abintr\u00e9pidos adolescentes\u00bb contra a ditadura (1970-1974)<\/em>. Lisboa: Tigre de Papel, 2023.<\/p>\n\n\n\n

Gonz\u00e1lez Calder\u00f3n, Marcela. La imprenta en la pen\u00ednsula de Yucat\u00e1n en el siglo XIX<\/em>. Ciudad de M\u00e9xico: Centro de Investigaciones y Estudios Superiores en Antropolog\u00eda Social (CIESAS), 2023.<\/p>\n\n\n\n

Gonz\u00e1lez Cangas, Yanko, and Pedro Araya Riquelme. El agua verde del idiota: la errata\u202f: cultura e historia<\/em>. Santiago de Chile: Fondo de Cultura Econ\u00f3mica, 2023.<\/p>\n\n\n\n

Gonz\u00e1lez Moreno, Fernando, and Alejandro Jaquero Esparcia, eds. Iluminar la letra: el libro ilustrado y su recepci\u00f3n en Espa\u00f1a<\/em>. Albolote: Editorial Comares, 2023. <\/p>\n\n\n\n

Gore, Amy. Book Anatomy: Body Politics and the Materiality of Indigenous Book History<\/em>. Amherst: University of Massachusetts Press, 2023.<\/p>\n\n\n\n

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Valdez Garza, Dalia, Rodrigo Vega y Ortega, and Mar\u00eda Elena Ram\u00edrez de Lara, eds. Perspectivas disciplinarias y metodol\u00f3gicas en el estudio de revistas cient\u00edficas mexicanas del siglo XX<\/em>. Ciudad de M\u00e9xico: Universidad Nacional Aut\u00f3noma de M\u00e9xico, Instituto de Investigaciones Bibliogr\u00e1fias, 2023.<\/p>\n\n\n\n

Valencia, Ma Dolores, and Victoriano Pe\u00f1a, eds. Entre Renacimiento y Contrarreforma: censura y difusi\u00f3n de la literatura italiana en Espa\u00f1a<\/em>. Granada: Editorial Comares, 2023.<\/p>\n\n\n\n

Vallejo Cervantes, Gabriela. Los caracteres de la identidad<\/em>. Madrid: Red Columnaria; Fondo de Cultura Econ\u00f3mica, 2023.<\/p>\n\n\n\n

Va\u1e6dav\u0101t\u016br, Anilkum\u0101r. History of Print Media in Malayalam<\/em>. Kottayam: Indian Institute of Mass Communication; Media House, Delhi, 2023.<\/p>\n\n\n\n

Vavari\u017ce, T\u02bfamaz, Sop\u02bfio Kincura\u0161vili, and Nana \u010cur\u0121ulia. \u10e5\u10d0\u10e0\u10d7\u10e3\u10da\u10d8 \u10d3\u10d0\u10db\u10ec\u10d4\u10e0\u10da\u10dd\u10d1\u10d0 \u10d3\u10d0 \u10e2\u10d8\u10de\u10dd\u10d2\u10e0\u10d0\u10e4\u10d8\u10d9\u10d0: \u10d8\u10e1\u10e2\u10dd\u10e0\u10d8\u10d0, \u10d7\u10d0\u10dc\u10d0\u10db\u10d4\u10d3\u10e0\u10dd\u10d5\u10d4\u10dd\u10d1\u10d0. T\u02bfbilisi: Grap\u02bfikuli dizainis asoc\u02bfiac\u02bfia, 2023.<\/p>\n\n\n\n

V\u0113\u1e45ka\u1e6da Rama\u1e47a, Vi Vi. V\u0101vi\u1e37la s\u0101hit\u012b vik\u0101sa\u1e43<\/em>. Haid\u0101r\u0101bad: Vajjala S\u0101\u1e43skr\u0325tika V\u0113dika, 2023.<\/p>\n\n\n\n

Ventura, Marco. Il fuoruscito: storia di Form\u00edggini, l\u2019editore suicida contro le leggi razziali di Mussolini<\/em>. Milano: Piemme, 2023.<\/p>\n\n\n\n

Vergara Ciordia, Javier, Beatriz Comella Guti\u00e9rrez, and Guillermo F. Arquero Caballero, eds. Aulas, libros y bibliotecas en la Edad Media y Moderna<\/em>. Madrid: Dykinson, 2023.<\/p>\n\n\n\n

Verhoeven, Garrelt. Ik zoek geluk in druk te vinden: verhalen van een boekenjutter<\/em>. Zutphen: Walburg Pers, 2023.<\/p>\n\n\n\n

Villalobos Graillet, Jos\u00e9 Eduardo. La Celestina y el cine: censura y recepci\u00f3n (1969-1996)<\/em>. Madrid; Frankfurt am Main: Iberoamericana; Vervuert, 2023. <\/p>\n\n\n\n

Viviant, Arnaud. Station Goncourt: 120 ans de prix litt\u00e9raires<\/em>. Paris: La Fabrique \u00e9ditions, 2023.<\/p>\n\n\n\n

Voit, Petr. Boj o volnou plochu: slepotisk na \u010desk\u00e9 kni\u017en\u00ed vazb\u011b 16. stolet\u00ed dle datab\u00e1ze NUSK a Strahovsk\u00e9 knihovny v Praze<\/em>. Praha: Kr\u00e1lovsk\u00e1 kanonie premonstr\u00e1t\u016f na Strahov\u011b, 2023.<\/p>\n\n\n\n

Wade, Mara R., ed. Collections and Books, Images and Texts: Early Modern German Cultures of the Book<\/em>. Leiden: Brill, 2023.<\/p>\n\n\n\n

Wagner, Karin. From ASCII Art to Comic Sans: Typography and Popular Culture in the Digital Age<\/em>. Cambridge, MA: MIT Press, 2023.<\/p>\n\n\n\n

Wallet, Bart, Gerben Post, and Talma Joachimsthal. Joachimsthal: familie en firma 1823-1945<\/em>. Zwolle: WBOOKS, 2023.<\/p>\n\n\n\n

Wallgren, Thomas, ed. The Creation of Wittgenstein: Understanding the Roles of Rush Rhees, Elizabeth Anscombe and George Henrik von Wright<\/em>. London: Bloomsbury Academic, 2023.<\/p>\n\n\n\n

Wantrup, Jonathan. Australian Rare Books, 1788-1900<\/em>. Second edition revised and Enlarged. Armadale: Australian Book Auctions Pty Ltd, 2023.<\/p>\n\n\n\n

Ward, Ken J. Last Paper Standing: A Century of Competition between the the Denver Post and the Rocky Mountain News<\/em>. Denver: University Press of Colorado, 2023.<\/p>\n\n\n\n

Wells, Juliette. A New Jane Austen: How Americans Brought Us the World\u2019s Greatest Novelist<\/em>. London: Bloomsbury Academic, 2023.<\/p>\n\n\n\n

Widdersheim, Michael M. Circulation of Power: The Development of Public Library Infrastructure in Greater Pittsburgh, 1924-2016<\/em>. Berlin: De Gruyter Saur, 2023.<\/p>\n\n\n\n

Wisnu. Boekhandel Tan Khoen Swie Kediri: agen kebudayaan Jawa, 1915-1963<\/em>. Jakarta: PT Elex Media Komputindo, 2023.<\/p>\n\n\n\n

Witham, Nick. Popularizing the Past: Historians, Publishers, and Readers in Postwar America<\/em>. Chicago: University of Chicago Press, 2023. <\/p>\n\n\n\n

W\u0142odarczyk, Matylda, Jukka Tyrkk\u00f6, and El\u017cbieta Adamczyk, eds. Multilingualism from Manuscript to 3D: Intersections of Modalities from Medieval to Modern Times<\/em>. New York: Routledge, 2023. doi:10.4324\/9781003166634<\/a>.<\/p>\n\n\n\n

Woolley, Andrew, ed. Studies on Authorship in Historical Keyboard Music<\/em>. London: Routledge, 2023. <\/p>\n\n\n\n

Zandvliet, K. De wereld van de familie Blaeu<\/em>. Zutphen: Walburg Pers, 2023.<\/p>\n\n\n\n

Zappella, Giuseppina. Le marche dei tipografi e degli editori europei (sec. XV-XIX) Parte 1 Le tipologie 5 Parlanti dell\u2019insegna (gli animali) (5145-5756)<\/em>. Milano: Editrice Bibliografica, 2023.<\/p>\n\n\n\n

Zavorotna, Nadia. Newspapers and Journals from Western Ruthenian-Ukrainian Lands (1848-1944): A Guide<\/em>. Toronto: University of Toronto Press, 2023.<\/p>\n\n\n\n

Zhang, Han, and Jiajie Lu. Digital Reading of Net Generation in China<\/em>. Abingdon, Oxon: Routledge, 2023.<\/p>\n\n\n\n

Zhang, Qing. China\u2019s Intelligentsia in the Late 19th to Early 20th Centuries: The Emergence of New Forms of Publications and New Modes of Intellectual Engagement<\/em>. Translated by Xiaoqin Zhang. Berlin: De Gruyter Oldenbourg, 2023. <\/p>\n\n\n\n

Zhao, Sumin. The Social Semiotics of Book Apps: Redesigning Meaning for a Digital Childhood<\/em>. London: Bloomsbury Academic, 2023.<\/p>\n\n\n\n

\u039a\u03b1\u03c0\u03bf\u03c2, \u03a0\u03b1\u03bd\u03b1\u03b3\u03b9\u03c9\u03c4\u03b7\u03c2. \u03a4\u03bf \u03bf\u03b9\u03ba\u03bf\u03c3\u03c5\u03c3\u03c4\u03b7\u03bc\u03b1 \u03c4\u03b7\u03c2 \u03b5\u03ba\u03b4\u03bf\u03c4\u03b9\u03ba\u03b7\u03c2 \u03b2\u03b9\u03bf\u03bc\u03b7\u03c7\u03b1\u03bd\u03b9\u03b1\u03c2  \u03b2\u03b9\u03b2\u03bb\u03b9\u03bf\u03c5 \u03c3\u03c4\u03bf\u03bd 21\u03bf \u03b1\u03b9\u03c9\u03bd\u03b1: \u03c8\u03b7\u03c6\u03b9\u03b1\u03ba\u03b7 \u03bc\u03b5\u03c4\u03b1\u03b2\u03b1\u03c3\u03b7 \u03ba\u03b1\u03b9 \u03b7  \u03b5\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03b7 \u03c0\u03b5\u03c1\u03b9\u03c0\u03c4\u03c9\u03c3\u03b7 (2009-2019)<\/em>. Ath\u0113na: \u0395\u03ba\u03b4\u03bf\u03c3\u03b5\u03b9\u03c2 \u0399. \u03a3\u03b9\u03b4\u03b5\u03c1\u03b7\u03c2, 2023.<\/p>\n\n\n\n

\u0410\u0431\u0440\u043e\u0441\u0438\u043c\u043e\u0432\u0430, \u041d. \u0412., ed. \u041a\u043d\u0438\u0436\u043d\u0430\u044f \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0430 \u042f\u0440\u043e\u0441\u043b\u0430\u0432\u0441\u043a\u043e\u0433\u043e \u043a\u0440\u0430\u044f–2022: \u0441\u0431\u043e\u0440\u043d\u0438\u043a \u0441\u0442\u0430\u0442\u0435\u0439 \u0438 \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u043e\u0432<\/em>. I\ufe20A\ufe21roslavl\u02b9: \u041e\u0431\u043b\u0430\u0441\u0442\u043d\u0430\u044f \u0431\u0438\u0431\u043b\u0438\u043e\u0442\u0435\u043a\u0430 \u0438\u043c\u0435\u043d\u0438 \u041d.\u0410. \u041d\u0435\u043a\u0440\u0430\u0441\u043e\u0432\u0430, 2023.<\/p>\n\n\n\n

\u0412\u0435\u043b\u0438\u043a\u043e\u0434\u043d\u0430\u044f, \u0418. \u041b., ed. \u041a\u043d\u0438\u0433\u0430 \u043a\u0430\u043a \u043f\u0440\u0435\u0434\u043c\u0435\u0442 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430<\/em>. Moskva: \u0418\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u043a\u0438\u0439 \u0434\u043e\u043c \u201c\u0410\u0440\u0442. \u0421\u043e\u0431\u0440\u0430\u043d\u0438\u0435,\u201d 2023.<\/p>\n\n\n\n

\u0413\u0430\u043b\u044c\u0446\u0438\u043d, \u0414. \u0414. \u0418\u0437\u0434\u0430\u043d\u0438\u044f \u0444\u0438\u0440\u043c\u044b \u0424\u0440\u043e\u0431\u0435\u043d\u043e\u0432 (1491-1587 \u0433\u0433.) \u0432 \u0444\u043e\u043d\u0434\u0430\u0445 \u0431\u0438\u0431\u043b\u0438\u043e\u0442\u0435\u043a\u0438 \u0420\u043e\u0441\u0441\u0438\u0439\u0441\u043a\u043e\u0439 \u0430\u043a\u0430\u0434\u0435\u043c\u0438\u0438 \u043d\u0430\u0443\u043a \u0438 \u0430\u043a\u0430\u0434\u0435\u043c\u0438\u0447\u0435\u0441\u043a\u0438\u0445 \u0441\u043e\u0431\u0440\u0430\u043d\u0438\u044f\u0445 \u0421\u0430\u043d\u043a\u0442-\u041f\u0435\u0442\u0435\u0440\u0431\u0443\u0440\u0433\u0430: \u043a\u0430\u0442\u0430\u043b\u043e\u0433<\/em>. Moskva: \u0410\u043b\u044c\u044f\u043d\u0441-\u0410\u0440\u0445\u0435\u043e, 2023.<\/p>\n\n\n\n

\u0413\u043e\u043b\u043e\u0432\u0430\u0447\u0435\u0432\u0430, \u0410\u043b\u043b\u0430 \u0413\u0435\u043e\u0440\u0433\u0438\u0435\u0432\u043d\u0430. \u0410\u043d\u0442\u043e\u043d \u0427\u0435\u0445\u043e\u0432, \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u044c \u0438 \u0447\u0438\u0442\u0430\u0442\u0435\u043b\u044c<\/em>. Moskva: Bachru\u0161inskij muzej, 2023.<\/p>\n\n\n\n

\u0414\u0435\u043c\u0443\u0437, \u0406. \u041e. \u0406\u043d\u0442\u0435\u043b\u0435\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u0430 \u0431\u0456\u043e\u0433\u0440\u0430\u0444\u0456\u044f \u041f\u0435\u0442\u0440\u0430 \u042f\u043d\u0443\u0430\u0440\u043e\u0432\u0438\u0447\u0430 \u0421\u0442\u0435\u0431\u043d\u0438\u0446\u044c\u043a\u043e\u0433\u043e (1862-1923 \u0440\u0440.) – \u0433\u0440\u043e\u043c\u0430\u0434\u0441\u044c\u043a\u043e\u0433\u043e \u0434\u0456\u044f\u0447\u0430, \u043a\u043d\u0438\u0433\u043e\u0432\u0438\u0434\u0430\u0432\u0446\u044f, \u043f\u0443\u0431\u043b\u0456\u0446\u0438\u0441\u0442\u0430<\/em>. Perei\ufe20a\ufe21slav: \u0414\u043e\u043c\u0431\u0440\u043e\u0432\u0441\u044c\u043a\u0430 \u042f. \u041c., 2023.<\/p>\n\n\n\n

\u0414\u0440\u0443\u0436\u0438\u043d\u0438\u043d, \u041f. \u0410. \u0410\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u0430\u044f \u043a\u043d\u0438\u0433\u0430 \u043e\u0442 \u0410 \u0434\u043e \u042f, \u0438\u043b\u0438, \u041f\u043e\u0441\u043e\u0431\u0438\u0435 \u0434\u043b\u044f \u043a\u043e\u043b\u043b\u0435\u043a\u0446\u0438\u043e\u043d\u0435\u0440\u043e\u0432 \u0438 \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043e\u0432, \u0430 \u0442\u0430\u043a\u0436\u0435 \u0434\u043b\u044f \u0432\u0441\u0435\u0445 \u043b\u044e\u0431\u0438\u0442\u0435\u043b\u0435\u0439 \u0441\u0442\u0430\u0440\u0438\u043d\u043d\u044b\u0445 \u043a\u043d\u0438\u0433<\/em>. Moskva: \u041d\u043e\u0432\u043e\u0435 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u043e\u0435 \u043e\u0431\u043e\u0437\u0440\u0435\u043d\u0438\u0435, 2023.<\/p>\n\n\n\n

\u0416\u043b\u0443\u0442\u043a\u0430, \u0410. \u0410. \u041f\u043e\u043b\u0430\u0446\u043a \u0456 \u041f\u043e\u043b\u0430\u0446\u043a\u0430\u044f \u0437\u044f\u043c\u043b\u044f \u045e \u043b\u0430\u0446\u0456\u043d\u0441\u043a\u0456\u0445 \u043f\u0456\u0441\u044c\u043c\u043e\u0432\u044b\u0445 \u043a\u0440\u044b\u043d\u0456\u0446\u0430\u0445 IX-XIV \u0441\u0442\u0441\u0442.<\/em> Minsk: \u0411\u0435\u043b\u041d\u0414\u0406\u0414\u0410\u0421, 2023.<\/p>\n\n\n\n

\u0417\u0443\u0431\u043a\u043e\u0432, \u041a. \u042e. \u041f\u0440\u043e\u0441\u0432\u0435\u0449\u0430\u0442\u044c \u0438 \u043a\u0430\u0440\u0430\u0442\u044c: \u0444\u0443\u043d\u043a\u0446\u0438\u0438 \u0446\u0435\u043d\u0437\u0443\u0440\u044b \u0432 \u0420\u043e\u0441\u0441\u0438\u0439\u0441\u043a\u043e\u0439 \u0438\u043c\u043f\u0435\u0440\u0438\u0438 \u0441\u0435\u0440\u0435\u0434\u0438\u043d\u044b XIX \u0432\u0435\u043a\u0430<\/em>. Moskva: \u041d\u043e\u0432\u043e\u0435 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u043d\u043e\u0435 \u043e\u0431\u043e\u0437\u0440\u0435\u043d\u0438\u0435, 2023.<\/p>\n\n\n\n

\u0418\u043b\u0438\u0437\u0430\u0440\u043e\u0432, \u0421. \u0421., ed. \u0422\u0432\u043e\u0440\u0446\u044b \u043d\u0430\u0443\u043a\u0438, \u043a\u043d\u0438\u0436\u043d\u0438\u043a\u0438, \u0447\u0438\u0442\u0430\u0442\u0435\u043b\u0438: \u0441\u0431\u043e\u0440\u043d\u0438\u043a \u0441\u0442\u0430\u0442\u0435\u0439 \u0432 \u0447\u0435\u0441\u0442\u044c 50-\u043b\u0435\u0442\u0438\u044f \u0434\u043e\u043a\u0442\u043e\u0440\u0430 \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0438\u0445 \u043d\u0430\u0443\u043a \u0410.\u042e. \u0421\u0430\u043c\u0430\u0440\u0438\u043d\u0430<\/em>. Moskva: \u042f\u043d\u0443\u0441-\u041a, 2023.<\/p>\n\n\n\n

\u041a\u0440\u0435\u0441\u0442\u043e\u0432\u0441\u043a\u0438\u0439, \u0421\u0435\u0440\u0433\u0435\u0439. \u0421\u0435\u0440\u0433\u0435\u0439 \u041a\u0440\u0435\u0441\u0442\u043e\u0432\u0441\u043a\u0438\u0439: \u0432\u0441\u0442\u0440\u0435\u0447\u0430 \u0441 \u0447\u0443\u0434\u043e\u043c\u202f: \u043a\u043d\u0438\u0436\u043d\u0430\u044f \u0438\u043b\u043b\u044e\u0441\u0442\u0440\u0430\u0446\u0438\u044f, \u0441\u0442\u0430\u043d\u043a\u043e\u0432\u044b\u0435 \u0440\u0430\u0431\u043e\u0442\u044b<\/em>. Moskva: \u0418\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u043a\u0438\u0439 \u0434\u043e\u043c \u201c\u0417\u0435\u0431\u0440\u0430 \u0415,\u201d 2023.<\/p>\n\n\n\n

\u041a\u0443\u0448\u043d\u0456\u0440\u0435\u043d\u043a\u043e, \u0406\u0432\u0430\u043d, and \u0412. \u041c. \u0411\u0456\u043b\u043e\u0433\u0443\u0431. \u041a\u041f “\u0417\u0430\u043f\u043e\u0440\u0456\u0437\u044c\u043a\u0430 \u043c\u0456\u0441\u044c\u043a\u0430 \u0434\u0440\u0443\u043a\u0430\u0440\u043d\u044f \u201c\u0414\u043d\u0456\u043f\u0440\u043e\u0432\u0441\u044c\u043a\u0438\u0439 \u043c\u0435\u0442\u0430\u043b\u0443\u0440\u0433\u201d: (\u0437 \u0456\u0441\u0442\u043e\u0440\u0456\u0457 \u0434\u0440\u0443\u043a\u0430\u0440\u0441\u044c\u043a\u043e\u0457 \u0441\u043f\u0440\u0430\u0432\u0438 \u043d\u0430 \u0417\u0430\u043f\u043e\u0440\u0456\u0436\u0436\u0456)\u202f: \u0434\u043e\u0441\u043b\u0456\u0434\u0436\u0435\u043d\u043d\u044f<\/em>. Zaporiz\ufe20h\ufe21z\ufe20h\ufe21i\ufe20a\ufe21: \u0414\u043d\u0456\u043f\u0440\u043e\u0432\u0441\u044c\u043a\u0438\u0439 \u043c\u0435\u0442\u0430\u043b\u0443\u0440\u0433, 2023.<\/p>\n\n\n\n

\u041c\u0438\u0445\u0435\u0435\u0432\u0430, \u0413. \u0412. \u0411\u0438\u0431\u043b\u0438\u043e\u0442\u0435\u043a\u0430\u0440\u044c \u0438 \u0446\u0435\u043d\u0437\u043e\u0440 \u0410\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0440 \u0418\u0432\u0430\u043d\u043e\u0432\u0438\u0447 \u041a\u0440\u0430\u0441\u043e\u0432\u0441\u043a\u0438\u0439<\/em>. Saint Petersburg: \u0420\u043e\u0441\u0441\u0438\u0439\u0441\u043a\u0430\u044f \u043d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u0430\u044f \u0431\u0438\u0431\u043b\u0438\u043e\u0442\u0435\u043a\u0430, 2023.<\/p>\n\n\n\n

\u041f\u043e \u0441\u043b\u0435\u0434\u0430\u043c \u0434\u0432\u043e\u0440\u0446\u043e\u0432\u043e\u0439 \u0431\u0438\u0431\u043b\u0438\u043e\u0442\u0435\u043a\u0438: \u0420\u0443\u043a\u043e\u043f\u0438\u0441\u043d\u0430\u044f \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0430 \u0432 \u0425\u043e\u0440\u0435\u0437\u043c\u0435 \u043f\u0440\u0438 \u041a\u043e\u043d\u0433\u0440\u0430\u0442\u0430\u0445<\/em>. Wien: Verlag der \u00f6sterreichischen Akademie der Wissenschaften, 2023. <\/p>\n\n\n\n

\u041f\u043e\u0447\u0438\u043d\u0441\u043a\u0430\u044f, \u0418. \u0412., \u0410. \u0410. \u041c\u0438\u0445\u0435\u0435\u0432\u0430, \u041d. \u0412. \u0410\u043d\u0443\u0444\u0440\u0438\u0435\u0432\u0430, \u0421. \u0410. \u0411\u0435\u043b\u043e\u0431\u043e\u0440\u043e\u0434\u043e\u0432, \u041f. \u0418. \u041c\u0430\u043d\u0433\u0438\u043b\u0435\u0432, \u041c. \u0412. \u0423\u0441\u0442\u044c\u044f\u043d\u0446\u0435\u0432\u0430, and \u042e. \u0412. \u0411\u043e\u0440\u043e\u0432\u0438\u043a. \u0422\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u043d\u0430\u044f \u043a\u043d\u0438\u0436\u043d\u0430\u044f \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0430 \u0440\u0443\u0441\u0441\u043a\u043e\u0433\u043e \u043d\u0430\u0441\u0435\u043b\u0435\u043d\u0438\u044f \u0412\u044f\u0442\u0441\u043a\u043e\u0433\u043e \u043a\u0440\u0430\u044f XVII-XX \u0432\u0435\u043a\u043e\u0432<\/em>. Ekaterinburg: \u0418\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u043e \u0423\u0440\u0430\u043b\u044c\u0441\u043a\u043e\u0433\u043e \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0430, 2023.<\/p>\n\n\n\n

\u0420\u0430\u0445\u0430\u0435\u0432, \u0410. \u0418., and \u0424. \u0421. \u042d\u0444\u0435\u043d\u0434\u0438\u0435\u0432, eds. \u041f\u0440\u043e\u0431\u0443\u0436\u0434\u0430\u044f \u0447\u0443\u0432\u0441\u0442\u0432\u043e \u043f\u0430\u0442\u0440\u0438\u043e\u0442\u0438\u0437\u043c\u0430 \u043a \u0440\u043e\u0434\u043d\u043e\u0439 \u0437\u0435\u043c\u043b\u0435: \u0418\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u043e \u041c. \u0438 \u0412. \u041a\u043e\u0442\u043b\u044f\u0440\u043e\u0432\u044b\u0445 \u0432 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u043e-\u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u043e\u043c \u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u0441\u0442\u0432\u0435 \u0421\u0435\u0432\u0435\u0440\u043d\u043e\u0433\u043e \u041a\u0430\u0432\u043a\u0430\u0437\u0430, 2000-2022<\/em>. Nal\u02b9chik: \u0418\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u043e \u041c. \u0438 \u0412. \u041a\u043e\u0442\u043b\u044f\u0440\u043e\u0432\u044b\u0445, 2023.<\/p>\n\n\n\n

\u0420\u0435\u043c\u0438\u0437\u043e\u0432, \u0412\u0438\u0442\u0430\u043b\u0438\u0439. \u0427\u0438\u0442\u0430\u0435\u043c \u0432\u043c\u0435\u0441\u0442\u0435 \u0441 \u0422\u043e\u043b\u0441\u0442\u044b\u043c: \u041f\u0443\u0448\u043a\u0438\u043d, \u041f\u043b\u0430\u0442\u043e\u043d, \u0413\u043e\u0433\u043e\u043b\u044c, \u0422\u044e\u0442\u0447\u0435\u0432, \u041b\u0430-\u0411\u043e\u044d\u0442\u0438, \u041c\u043e\u043d\u0442\u0435\u043d\u044c, \u0412\u043b\u0430\u0434\u0438\u043c\u0438\u0440 \u0421\u043e\u043b\u043e\u0432\u044c\u0435\u0432, \u0414\u043e\u0441\u0442\u043e\u0435\u0432\u0441\u043a\u0438\u0439<\/em>. Moskva: \u041f\u0440\u043e\u0441\u043f\u0435\u043a\u0442, 2023.<\/p>\n\n\n\n

\u0421\u0435\u0441\u043b\u0430\u0432\u0438\u043d\u0441\u043a\u0438\u0439, \u041c. \u0412. \u041a\u043d\u0438\u0436\u043d\u044b\u0439 \u043c\u0438\u0440 \u0410\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0440\u0430 \u0411\u0435\u043d\u0443\u0430: \u044d\u0442\u044e\u0434\u044b \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u0442\u0435\u043b\u044f \u0438 \u043a\u043e\u043b\u043b\u0435\u043a\u0446\u0438\u043e\u043d\u0435\u0440\u0430<\/em>. Moskva: \u0418\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u043e \u201c\u0411\u043e\u0441\u043b\u0435\u043d,\u201d 2023.<\/p>\n\n\n\n

\u0422\u0438\u0448\u043a\u043e\u0432, \u041b\u0435\u043e\u043d\u0438\u0434, ed. \u0418 \u0442\u043e\u0433\u0434\u0430 \u0414\u0430\u0431\u043b\u0443\u0441 \u043f\u043e\u0440\u043e\u0434\u0438\u043b \u043a\u043d\u0438\u0433\u0438: \u043a\u043d\u0438\u0433\u043e\u0438\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u043e \u043a\u0430\u043a \u043a\u043e\u043d\u0446\u0435\u043f\u0442\u0443\u0430\u043b\u044c\u043d\u044b\u0439 \u043f\u0440\u043e\u0435\u043a\u0442<\/em>. Moskva: \u0424\u043e\u043d\u0434 \u0410\u043d\u0434\u0440\u0435\u044f \u0427\u0435\u0433\u043b\u0430\u043a\u043e\u0432\u0430, 2023.<\/p>\n\n\n\n

\u0422\u043e\u043b\u0441\u0442\u043e\u0439, \u0418\u0432\u0430\u043d. \u0425\u0440\u0430\u043d\u0438\u0442\u0435\u043b\u0438 \u043d\u0430\u0441\u043b\u0435\u0434\u0441\u0442\u0432\u0430: \u043e\u0442 \u0417\u0438\u043b\u044c\u0431\u0435\u0440\u0448\u0442\u0435\u0439\u043d\u0430 \u0434\u043e \u043d\u0430\u0448\u0438\u0445 \u0434\u043d\u0435\u0439 \u0432 \u0432\u043e\u0441\u043f\u043e\u043c\u0438\u043d\u0430\u043d\u0438\u044f, \u0434\u043e\u043a\u0443\u043c\u0435\u043d\u0442\u0430\u0445 \u0438 \u0443\u0441\u0442\u043d\u044b\u0445 \u0440\u0430\u0441\u0441\u043a\u0430\u0437\u0430\u0445<\/em>. Saint Petersburg: Connaisseur, 2023.<\/p>\n\n\n\n

\u0424\u0443\u0440\u0441\u0435\u043d\u043a\u043e, \u041b. \u0418. \u041a\u043d\u0438\u0433\u043e\u0432\u0435\u0434\u0435\u043d\u0438\u0435: \u0443\u043a\u0430\u0437\u0430\u0442\u0435\u043b\u044c \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b \u0437\u0430 2009 \u0433\u043e\u0434<\/em>. Moskva: \u041f\u0430\u0448\u043a\u043e\u0432 \u0434\u043e\u043c, 2023.<\/p>\n\n\n\n

\u0429\u0435\u0440\u0431\u0438\u043d\u0438\u043d\u0430, \u042e. \u0412. \u041a\u043d\u0438\u0433\u0430 \u043a\u0430\u043a \u0438\u043b\u043b\u044e\u0437\u0438\u044f: \u0442\u0430\u0439\u043d\u0438\u043a\u0438, \u043b\u0436\u0435\u0431\u0438\u0431\u043b\u0438\u043e\u0442\u0435\u043a\u0438, \u0430\u0440\u0442-\u043e\u0431\u044a\u0435\u043a\u0442\u044b<\/em>. Moskva: \u0410\u043b\u044c\u043f\u0438\u043d\u0430 \u043d\u043e\u043d-\u0444\u0438\u043a\u0448\u043d, 2023.<\/p>\n\n\n\n

\u042f\u043a\u0435\u0440\u0441\u043e\u043d, \u0421.\u041c. \u0415\u0432\u0440\u0435\u0439\u0441\u043a\u0438\u0435 \u0438\u043d\u043a\u0443\u043d\u0430\u0431\u0443\u043b\u044b<\/em>. Moskva: \u041a\u043d\u0438\u0436\u043d\u0438\u043a\u0438, 2023.<\/p>\n\n\n\n

\u05db\u05d4\u05df, \u05e2\u05d5\u05d3\u05d3. \u05e1\u05d5\u05d1\u05d1 \u05d4\u05d5\u05dc\u05da \u05d4\u05e8\u05d5\u05d7: \u05de\u05e8\u05d7\u05d1\u05d9\u05dd \u05ea\u05e8\u05d1\u05d5\u05ea\u05d9\u05d9\u05dd \u05d1\u05e2\u05d5\u05dc\u05de\u05d5 \u05e9\u05dc \u05d4\u05d7\u05d9\u05d3”\u05d0 = Ever turning blows the wind\u202f: cultural spaces in Rabbi Haim Yosef David Azulay\u2019s world. Jerusalem: \u05d4\u05d5\u05e6\u05d0\u05ea \u05e1\u05e4\u05e8\u05d9\u05dd \u05e2”\u05e9 \u05d9”\u05dc \u05de\u05d0\u05d2\u05e0\u05e1, \u05d4\u05d0\u05d5\u05e0\u05d9\u05d1\u05e8\u05e1\u05d9\u05d8\u05d4 \u05d4\u05e2\u05d1\u05e8\u05d9\u05ea, 2023.<\/p>\n\n\n\n

\u05e9\u05e8\u05d9\u05d9\u05e8, \u05de\u05e7\u05e1\u05d9\u05dd \u05d3, \u05d0\u05d1\u05d9\u05d2\u05d9\u05dc \u05e6\u05d9\u05e8\u05e7\u05d9\u05df-\u05e1\u05d3\u05df, and \u05e1\u05d9\u05d5\u05df \u05d1\u05e1\u05e7\u05d9\u05df. \u05e8\u05d0\u05d9\u05ea\u05d9 \u05d6\u05d0\u05ea: \u05d0\u05d9\u05dc\u05d9\u05d4 \u05e1\u05dc\u05d5\u05d5\u05d9\u05e0\u05e1\u05e7\u05d9 – \u05de\u05e9\u05d5\u05e8\u05e8 \u05d5\u05e2\u05d3 \u05dc\u05e9\u05d5\u05d0\u05d4. \u05d9\u05e8\u05d5\u05e9\u05dc\u05d9\u05dd: \u05d9\u05d3 \u05d5\u05e9\u05dd – \u05e8\u05e9\u05d5\u05ea \u05d4\u05d6\u05d9\u05db\u05e8\u05d5\u05df \u05dc\u05e9\u05d5\u05d0\u05d4 \u05d5\u05dc\u05d2\u05d1\u05d5\u05e8\u05d4 – \u05d4\u05de\u05db\u05d5\u05df \u05d4\u05d1\u05d9\u05df-\u05dc\u05d0\u05d5\u05de\u05d9 \u05dc\u05d7\u05e7\u05e8 \u05d4\u05e9\u05d5\u05d0\u05d4, 2023.<\/p>\n\n\n\n

\u062c\u0648\u0631\u062c \u062e\u0648\u0631\u064a [\u062c\u0627\u062f]. \u0634\u0647\u0631\u0632\u0627\u062f \u0625\u0646 \u0631\u0633\u0645\u062a: \u0642\u0631\u0627\u0621\u0629 \u0646\u0642\u062f\u064a\u0629 \u0644\u0644\u0634\u0631\u064a\u0637 \u0627\u0644\u0645\u0635\u0648\u0631 \u0627\u0644\u0639\u0631\u0628\u064a. Beirut: American University of Beirut Press, 2023.<\/p>\n\n\n\n

\u062d\u0633\u0646\u060c \u0631\u064a\u062d\u0627\u0646\u060c, ed. \u06a9\u0627\u0631\u0648\u0627\u0646 \u0635\u062d\u0627\u0641\u062a: \u0645\u062c\u0645\u0648\u0639\u06c0 \u0645\u0636\u0627\u0645\u064a\u0646 \u0627\u0648\u0645 \u067e\u0631\u06a9\u0627\u0634 \u0633\u0648\u0646\u0649. Dihl\u012b, Amritsar: \u06a9\u062a\u0627\u0628 \u0648\u0627\u0644\u0627 \u061b \u0688\u0627\u06a9\u0679\u0631 \u0631\u064a\u062d\u0627\u0646 \u062d\u0633\u0646\u060c, 2023.<\/p>\n\n\n\n

\u062f\u0631\u0648\u0628\u064a\u060c \u0645\u062d\u0645\u062f \u0645\u062d\u0645\u0648\u062f. \u062d\u0631\u0643\u0629 \u0625\u062d\u064a\u0627\u0621 \u0627\u0644\u062a\u0631\u0627\u062b \u0641\u064a \u0627\u0644\u0623\u0631\u062f\u0646. Bayr\u016bt: \u062f\u0627\u0631 \u0627\u0644\u0631\u064a\u0627\u062d\u064a\u0646\u060c, 2023.<\/p>\n\n\n\n

\u0632\u0647\u0631\u064a\u060c \u062e\u0627\u0644\u062f. \u0643\u062a\u0628 \u0627\u0644\u0643\u0644\u0627\u0645 \u0648\u0627\u0644\u0641\u0644\u0633\u0641\u0629 \u0627\u0644\u0645\u062e\u0637\u0648\u0637\u0629: \u0645\u0642\u0627\u0631\u0628\u0629 \u0643\u0648\u062f\u064a\u0643\u0648\u0644\u0648\u062c\u064a\u0629 = A codicological approach to Arabic manuscript on peripatet\u202f: philosophy and \u2019ilm al-kalam. Irbid: \u0631\u0643\u0627\u0632 \u0644\u0644\u0646\u0634\u0631 \u0648 \u0627\u0644\u062a\u0648\u0632\u064a\u0639\u060c, 2023.<\/p>\n\n\n\n

\u0633\u064a\u062f\u060c \u0623\u0634\u0631\u0641 \u0635\u0627\u0644\u062d \u0645\u062d\u0645\u062f. \u0627\u0644\u0643\u062a\u0627\u0628 \u0648\u0627\u0644\u0645\u0643\u062a\u0628\u0629 \u0641\u064a \u0627\u0644\u062f\u0648\u0644\u0629 \u0627\u0644\u0625\u0633\u0644\u0627\u0645\u064a\u0629: \u0627\u0644\u0645\u0639\u0631\u0641\u0629 \u0627\u0644\u0642\u0631\u0648\u0633\u0637\u064a\u0629. Dimashq, S\u016br\u012byah: \u0635\u0641\u062d\u0627\u062a \u0644\u0644\u062f\u0631\u0627\u0633\u0627\u062a \u0648\u0627\u0644\u0646\u0634\u0631\u060c, 2023.<\/p>\n\n\n\n

\u0633\u064a\u062f\u060c \u0645\u062d\u0645\u0648\u062f \u0627\u0644\u0633\u0639\u064a\u062f \u0639\u0628\u062f \u0627\u0644\u0645\u0646\u0639\u0645., ed. \u062f\u0631\u0627\u0633\u0627\u062a \u0641\u064a \u0627\u0644\u0648\u062b\u0627\u0626\u0642 \u0648\u0627\u0644\u0628\u0631\u062f\u064a \u0627\u0644\u0639\u0631\u0628\u064a: \u0628\u062d\u0648\u062b \u0644\u062a\u0643\u0631\u064a\u0645 \u0623.\u062f. \u0633\u0639\u064a\u062f \u0645\u063a\u0627\u0648\u0631\u064a\u060c \u0623\u0633\u062a\u0627\u0630 \u0627\u0644\u0628\u0631\u062f\u064a\u0627\u062a \u0627\u0644\u0639\u0631\u0628\u064a\u0629 \u0648\u0627\u0644\u062d\u0636\u0627\u0631\u0629 \u0627\u0644\u0625\u0633\u0644\u0627\u0645\u064a\u0629 \u0628\u0643\u0644\u064a\u0629 \u0627\u0644\u0633\u064a\u0627\u062d\u0629 \u0648\u0627\u0644\u0641\u0646\u0627\u062f\u0642\u060c \u062c\u0627\u0645\u0639\u0629 \u0645\u062f\u064a\u0646\u0629 \u0627\u0644\u0633\u0627\u062f\u0627\u062a. al-Q\u0101hirah: \u0627\u0644\u0645\u0624\u0633\u0633\u0629 \u0627\u0644\u062f\u0648\u0644\u064a\u0629 \u0644\u0644\u0643\u062a\u0627\u0628\u060c, 2023.<\/p>\n\n\n\n

\u0639\u0628\u062f \u0627\u0644\u0631\u0632\u0627\u0642\u060c \u0641\u0648\u0632\u064a. \u062a\u0627\u0631\u064a\u062e \u062d\u0631\u0643\u0629 \u0627\u0644\u0637\u0628\u0627\u0639\u0629 \u0648\u0627\u0644\u0646\u0634\u0631 \u0641\u064a \u0627\u0644\u0645\u063a\u0631\u0628 \u062e\u0644\u0627\u0644 \u0641\u062a\u0631\u0629 \u0627\u0644\u062d\u0645\u0627\u064a\u0629\u060c 1912-1955. al-Rab\u0101\u1e6d: \u062f\u0627\u0631 \u0627\u0644\u0623\u0645\u0627\u0646\u060c, 2023.<\/p>\n\n\n\n

\u0639\u064a\u0633\u0631\u064a\u060c \u0645\u062d\u0645\u062f \u0628\u0646 \u0639\u0627\u0645\u0631 \u0628\u0646 \u0633\u064a\u0641. \u0627\u0644\u0645\u062e\u0637\u0648\u0637 \u0627\u0644\u0639\u0645\u0627\u0646\u064a: \u0627\u0644\u062a\u0627\u0631\u064a\u062e \u0648\u0627\u0644\u062a\u0642\u0627\u0644\u064a\u062f. Sal\u1e6danat \u02bbUm\u0101n: \u0648\u0632\u0627\u0631\u0629 \u0627\u0644\u062b\u0642\u0627\u0641\u0629 \u0648\u0627\u0644\u0631\u064a\u0627\u0636\u0629 \u0648\u0627\u0644\u0634\u0628\u0627\u0628\u060c, 2023.<\/p>\n\n\n\n

\u0641\u0631\u0627\u062c\u060c \u0645\u062d\u0645\u062f \u062c\u0644\u0627\u0644. \u0631\u064a\u062d\u0629 \u0627\u0644\u0648\u0631\u0642: \u0623\u0642\u0644\u0627\u0645 \u0648\u0623\u0642\u062f\u0627\u0631 \u0648\u0645\u0639\u0627\u0631\u0643. Cairo: \u062f\u0627\u0631 \u0627\u0644\u0645\u062d\u0631\u0631\u060c, 2023.<\/p>\n\n\n\n

\ubd80\uae38\ub9cc. \uc6b0\ub9ac \ucc45 \uacfc \ud55c\uad6d \ud604\ub300\uc0ac \uc774\uc57c\uae30: \ucc45 \uc740 \uc5b4\ub5bb\uac8c \uc9c0\uae08 \uc758 \uc6b0\ub9ac \ub97c \ub9cc\ub4e4\uc5c8\ub098. Seoul: \uc720\uc544\uc774 \ubd81\uc2a4, 2023.<\/p>\n\n\n\n

\uc1a1\uc2b9\uc12d. \ud55c\uad6d \uadfc\ub300 \ub3c4\uc11c\uad00 100\ub144 \uc758 \uc5ec\uc815: \uc6b0\ub9ac \ub098\ub77c \uadfc\ub300 \uacf5\uacf5 \ub3c4\uc11c\uad00 \uc758 \ubc1c\uc790\ucde8 \ub97c \ucc3e\uc544\uc11c. Seoul: \ub3c4\uc5f0 \ubb38\uace0, 2023.<\/p>\n\n\n\n

\uc2ec\uc6b0\uc9c4. \uae00\uc790 \uc758 \uc0bc \ubc88 \uc694\ucd94: \uc800\uc628 \uc219\uc131 \ud0c0\uc774\ud3ec\uadf8\ub798\ud53c \uc5d0\uc138\uc774. Seoul: \ubb3c\uace0\uae30, 2023.<\/p>\n\n\n\n

\uc720\uc885\uc6d0, \uae40\uc1a1\ud76c, and \uae40\uc625\uc5f4. \uad11\uc8fc, \uc804\ub0a8 \uc2e0\ubb38 100\ub144: \uad6c\ud55c\ub9d0 \ubd80\ud130 5\uacf5\ud654\uad6d \uae4c\uc9c0. Gwangju: \uc804\ub0a8 \ub300\ud559\uad50 \uc5b8\ub860 \ud64d\ubcf4 \uc5f0\uad6c\uc18c, 2023.<\/p>\n\n\n\n

\uc774\uae30\ub300. \ub0ad\ub3c5 \uc758 \ud0c4\uc0dd. Seoul: \ub2e4\uc6b4\uc0d8, 2023.<\/p>\n\n\n\n

\uc774\ub450\uc601. \ud55c\uad6d \ucd9c\ud310 \uc5ed\uc0ac \uc758 \uc5f0\uad6c \ubc29\ubc95: \ucd9c\ud310 \uc758 \uc5ed\uc0ac \ub780 \ubb34\uc5c7 \uc778\uac00, \uc5b4\ub5bb\uac8c \uc4f8 \uac83 \uc778\uac00. Paju: \uc2dc\uac04 \uc758 \ubb3c\ub808, 2023.<\/p>\n\n\n\n

\uc774\ubbfc\ud76c. 18\uc138\uae30 \uc758 \uc138\ucc45\uc0ac: \uc18c\uc124 \uc77d\uae30 \uc758 \uc2dc\uc791 \uacfc \uc720\ud589. Paju: \ubb38\ud559 \ub3d9\ub124, 2023.<\/p>\n\n\n\n

\uc774\uc7ac\ud638. \ub098 \ubcd1\uc2dd \ud3c9\uc804: \uac77\uace0 \ub610 \uac78\uc5c8\ub2e4 \ud480\ube5b \uc73c\ub85c. Seoul: \ud480\ube5b, 2023.<\/p>\n\n\n\n

\uc774\uc815. \uc7a5\uc778 \uacfc \ub2e5\ub098\ubb34 \uac00 \ud568\uaed8 \ub9cc\ub4e0 \uc5ed\uc0ac, \uc870\uc120 \uc758 \uacfc\ud559 \uae30\uc220\uc0ac. Seoul: \ud478\ub978 \uc5ed\uc0ac, 2023.<\/p>\n\n\n\n

\uc774\uc885\uad8c. \ucc45 \uacfc \ub3c4\uc11c\uad00 \uc758 \ubb38\uba85\uc0ac. Seoul: \ubb38\ud604, 2023.<\/p>\n\n\n\n

\uc870\uc131\uc21c. \ud55c\uad6d \uadf8\ub9bc\ucc45 \uc758 \uc5ed\uc0ac. Namyangju: \uccad\ub3d9 \uac70\uc6b8, 2023.<\/p>\n\n\n\n

\ucc45\ud5a5, \uc18c\uc911\ud55c \uc778\uc5f0: \uacbd\uc9c4 \uc2e0 \uc815\uc2dd \uceec\ub809\uc158. Busan: \uc804\ub9dd, 2023.<\/p>\n\n\n\n

\ud5c8\uc724. \uc704\ud5d8\ud55c \ucc45 \uc77d\uae30: \u201c\ubb38\ud559 \uc18c\ub140\u201d \uc5d0\uc11c \ud398\ubbf8\ub2c8\uc2a4\ud2b8 \uae4c\uc9c0, \ud55c\uad6d \uc5ec\uc131 \ub3c5\uc11c \ubb38\ud654\uc0ac. Seoul: \ucc45 \uacfc \ud568\uaed8, 2023.<\/p>\n\n\n\n

\ud669\ud0dc\uc5f0. \ucc45 \uc758 \ub098\ub77c \uc870\uc120 \uc758 \ucd9c\ud310 \ud601\uba85. Seoul: \ud55c\uad6d \ubb38\ud654\uc0ac, 2023.<\/p>\n\n\n\n

\u4e2d\u56fd\u7f8e\u672f\u5b66\u9662\u7f8e\u672f\u53f2\u8bba\u7814\u7a76\u4e2d\u5fc3. \u4e66\u7c4d\u4e4b\u4e3a\u827a\u672f: \u4e2d\u56fd\u53e4\u4ee3\u4e66\u7c4d\u4e2d\u7684\u827a\u672f\u5143\u7d20\u5b66\u672f\u7814\u8ba8\u4f1a\u8bba\u6587\u96c6. Hangzhou: \u4e2d\u56fd\u7f8e\u672f\u5b66\u9662\u51fa\u7248\u793e, 2023.<\/p>\n\n\n\n

\u4e8e\u5146\u519b. \u5b8b\u4ee3\u96d5\u7248\u5370\u5237\u4e0e\u6587\u5316. Taiyuan: \u5c71\u897f\u4eba\u6c11\u51fa\u7248\u793e, 2023.<\/p>\n\n\n\n

\u4f0a\u85e4\u6b63\u5fb3. \u8fd1\u4ee3\u65e5\u672c\u65b0\u805e\u53f2: \u8fd1\u4ee3\u65b0\u805e\u306e\u8a95\u751f\u304b\u3089\u6557\u6226\u5360\u9818\u4e0b\u3067\u306e\u518d\u751f\u307e\u3067. T\u014dky\u014d: \u66f8\u8086\u5fc3\u6c34, 2023.<\/p>\n\n\n\n

\u4f50\u85e4\u9053\u751f. \u65e5\u672c\u4eba\u306e\u8aad\u66f8: \u53e4\u4ee3\u30fb\u4e2d\u4e16\u306e\u5b66\u554f\u3092\u63a2\u308b. Tokyo: \u52c9\u8aa0\u51fa\u7248, 2023.<\/p>\n\n\n\n

\u5218\u52b2\u677e. \u8fd1\u4ee3\u4e2d\u56fd\u516c\u5171\u56fe\u4e66\u9986\u6cd5\u89c4\u7814\u7a76: 1910-1949\u5e74. Beijing: \u77e5\u8bc6\u4ea7\u6743\u51fa\u7248\u793e, 2023.<\/p>\n\n\n\n

\u5218\u6653\u7fd4. \u6c49\u5b57\u7f51\u683c\u4e0e\u6587\u672c\u9020\u578b. Shanghai: \u4e0a\u6d77\u4eba\u6c11\u7f8e\u672f\u51fa\u7248\u793e, 2023.<\/p>\n\n\n\n

\u5218\u677e\u77d7, \u6b66\u7389\u7d05, and \u8881\u66fc\u66f8. \u4e66\u7c4d\u4e0e\u6587\u660e: \u82f1\u56fd\u7ef4\u591a\u5229\u4e9a\u65f6\u4ee3\u7684\u77e5\u8bc6\u751f\u4ea7\u4e0e\u4eba\u6587\u666f\u89c2. Chengdu: \u56db\u5ddd\u4eba\u6c11\u51fa\u7248\u793e, 2023.<\/p>\n\n\n\n

\u5218\u7855\u826f, and \u9ec4\u4f1f\u6797. \u4e0e\u65f6\u95f4\u4e66: \u5218\u7855\u826f\u53e3\u8ff0\u56de\u5fc6\u5f55. Guilin: \u6f13\u6c5f\u51fa\u7248\u793e, 2023.<\/p>\n\n\n\n

\u53f6\u65b0. \u5f20\u5143\u6d4e\u548c\u65e9\u671f\u5546\u52a1\u5370\u4e66\u9986: \u8fd1\u4ee3\u51fa\u7248\u53f2\u6563\u8bba. Beijing: \u4e2d\u592e\u7f16\u8bd1\u51fa\u7248\u793e, 2023.<\/p>\n\n\n\n

\u5434\u5e73. \u7ecf\u90e8\u8981\u7c4d\u7f16\u8f91\u601d\u60f3\u7814\u7a76. Wuhan: \u6b66\u6c49\u5927\u5b66\u51fa\u7248\u793e, 2023.<\/p>\n\n\n\n

\u5434\u5ef7\u4fca. \u201c\u5927\u516c\u62a5\u201d\u5168\u53f2(1902-1949). Shanghai: \u5fa9\u65e6\u5927\u5b78\u51fa\u7248\u793e\u202f; \u5546\u52d9\u5370\u66f8\u9928, 2023.<\/p>\n\n\n\n

\u57ce\u5c71\u62d3\u4e5f. \u4e2d\u56fd\u6f2b\u753b\u306e\u30e2\u30c0\u30cb\u30ba\u30e0: \u8449\u6d45\u4e88\u3068\u738b\u5148\u751f\u306e\u7269\u8a9e. Nishinomiya: \u95a2\u897f\u5b66\u9662\u5927\u5b66\u51fa\u7248\u4f1a, 2023.<\/p>\n\n\n\n

\u590d\u65e6\u5927\u5b66\u5386\u53f2\u5b66\u7cfb, and \u4e2d\u56fd\u8fd1\u73b0\u4ee3\u65b0\u95fb\u51fa\u7248\u535a\u7269\u9986. \u8fd1\u73b0\u4ee3\u51fa\u7248\u4e0e\u65b0\u77e5\u8bc6\u4f20\u64ad. Beijing: \u4e2d\u534e\u4e66\u5c40, 2023.<\/p>\n\n\n\n

\u591a\u5e03\u65e6, and \u624e\u897f\u5f53\u77e5, eds. \u82f1\u85cf\u6566\u714c\u85cf\u6587\u6587\u732e\u52d8\u5f55. Beijing: \u4e2d\u56fd\u85cf\u5b66\u51fa\u7248\u793e, 2023.<\/p>\n\n\n\n

\u5b59\u6bd3\u4fee. \u4e2d\u56fd\u96d5\u677f\u6e90\u6d41\u8003\u6c47\u520a. Edited by \u53f6\u65b0, \u90d1\u51cc\u5cf0, and \u6a0a\u9896. Beijing: \u4e2d\u534e\u4e66\u5c40, 2023.<\/p>\n\n\n\n

\u5b5f\u7f8e\u83ca, and \u738b\u5efa\u6c11. \u6f22\u4ee3\u7c21\u5e1b\u6587\u737b\u6587\u5b57\u7814\u7a76. Qingdao: \u4e2d\u570b\u6d77\u6d0b\u5927\u5b78\u51fa\u7248\u793e, 2023.<\/p>\n\n\n\n

\u5b6b\u79c0\u73b2. \u6436\u6551\u53e4\u7c4d\u95dc\u9375\u4eba\u7269. Taibei Shi: \u570b\u5bb6\u5716\u66f8\u9928, 2023.<\/p>\n\n\n\n

\u5cb8\u672c\u899a, and \u66fd\u6839\u539f\u7406, eds. \u66f8\u7269\u306e\u6642\u4ee3\u306e\u5b97\u6559: \u65e5\u672c\u8fd1\u4e16\u306b\u304a\u3051\u308b\u795e\u3068\u4ecf\u306e\u5909\u9077. T\u014dky\u014d-to Chiyoda-ku: \u52c9\u8aa0\u51fa\u7248, 2023.<\/p>\n\n\n\n

\u5e83\u702c\u5fb9. \u7c7e\u5c71\u4ec1\u4e09\u90ce\u3008\u6893\u6708\u3009\u4f1d: \u5b9f\u696d\u3068\u6587\u82b8. T\u014dky\u014d: \u5e7b\u622f\u66f8\u623f, 2023.<\/p>\n\n\n\n

\u5f20\u4e3d\u840d. \u6c11\u56fd\u65f6\u671f\u5185\u8499\u53e4\u5730\u533a\u62a5\u520a\u7814\u7a76. Beijing: \u4e2d\u56fd\u793e\u4f1a\u79d1\u5b66\u51fa\u7248\u793e, 2023.<\/p>\n\n\n\n

\u5f35\u4fd0\u7487, ed. \u51fa\u7248\u5cf6\u8b80: \u81fa\u7063\u4eba\u6587\u51fa\u7248\u7684\u767e\u5e74\u6c5f\u6e56. Taibei Shi: \u6642\u5831\u6587\u5316, 2023.<\/p>\n\n\n\n

\u5f35\u570d\u6771. \u53e4\u7c4d\u4e4b\u7f8e: \u53e4\u7c4d\u7684\u63d2\u5716\u7248\u756b. Xin zhu xian zhu bei: \u65b9\u96c6\u51fa\u7248\u793e\u80a1\u4efd\u6709\u9650\u516c\u53f8, 2023.<\/p>\n\n\n\n

\u65b0\u534e\u65e5\u62a5\u7b80\u53f2(1938-2023). Nanjing: \u6c5f\u82cf\u4eba\u6c11\u51fa\u7248\u793e, 2023.<\/p>\n\n\n\n

\u65b0\u85e4\u900f. \u65e5\u672c\u306e\u56f3\u66f8\u9928\u4e8b\u59cb: \u65e5\u672c\u306b\u304a\u3051\u308b\u897f\u6d0b\u56f3\u66f8\u9928\u306e\u53d7\u5bb9. T\u014dky\u014d: \u4e09\u548c\u66f8\u7c4d, 2023.<\/p>\n\n\n\n

\u65b9\u5e7f, and \u674e\u9645\u5b81, eds. \u4f0d\u4f26\u7ecf\u773c\u53e4\u7ecf\u56fe\u5f55. Beijing: \u56fd\u5bb6\u56fe\u4e66\u9986\u51fa\u7248\u793e, 2023.<\/p>\n\n\n\n

\u65e5\u672c\u8fd1\u4e16\u6587\u5b66\u4f1a, ed. \u548c\u672c\u56f3\u8b5c: \u6c5f\u6236\u3092\u7a76\u3081\u308b. T\u014dky\u014d: \u6587\u5b66\u901a\u4fe1, 2023.<\/p>\n\n\n\n

\u662f\u6fa4\u535a\u662d. \u8d64\u672c\u30081938-1941\u3009: \u5185\u52d9\u7701\u5150\u7ae5\u8aad\u7269\u7d71\u5236\u30fb\u4f50\u4f2f\u90c1\u90ce\u3068\u305d\u306e\u670b\u53cb. Yokohama: \u4e16\u7e54\u66f8\u623f, 2023.<\/p>\n\n\n\n

\u6728\u6751\u8fea\u5b50. \u8fd1\u4e16\u524d\u671f\u4ecf\u66f8\u306e\u7814\u7a76. T\u014dky\u014d: \u65b0\u5178\u793e, 2023.<\/p>\n\n\n\n

\u673d\u898b\u884c\u96c4. \u65e5\u672c\u53f2\u3092\u652f\u3048\u3066\u304d\u305f, \u548c\u7d19\u306e\u8a71. T\u014dky\u014d: \u8349\u601d\u793e, 2023.<\/p>\n\n\n\n

\u674e\u5b9d\u6770, ed. \u4e2d\u56fd\u97f3\u4e50\u671f\u520a\u53ca\u62a5\u7eb8\u7814\u7a76. Beijing: \u6587\u5316\u85dd\u8853\u51fa\u7248\u793e, 2023.<\/p>\n\n\n\n

\u674e\u9510. \u51fa\u571f\u6587\u732e\u7684\u5b66\u6d3e\u5224\u5b9a. Beijing: \u4e2d\u56fd\u4eba\u6c11\u5927\u5b66\u51fa\u7248\u793e, 2023.<\/p>\n\n\n\n

\u6768\u6210\u51ef. \u53e4\u7c4d\u7248\u672c\u5341\u8bb2. Beijing: \u4e2d\u534e\u4e66\u5c40, 2023.<\/p>\n\n\n\n

\u6797\u76fc. \u62a5\u4eba\u7fa4\u4f53\u4e0e\u7ec4\u7ec7\u751f\u957f: \u4ee5\u6e05\u672b”\u4e2d\u5916\u65e5\u62a5”\u4e3a\u4e2d\u5fc3. Fuzhou Shi: \u798f\u5efa\u6559\u80b2\u51fa\u7248\u793e, 2023.<\/p>\n\n\n\n

\u67f4\u5251\u8679. \u6566\u714c\u5b66\u5341\u8bb2. Hangzhou: \u6d59\u6c5f\u53e4\u7c4d\u51fa\u7248\u793e, 2023.<\/p>\n\n\n\n

\u6881\u5143\u751f, \u66f9\u7487, \u5340\u5fd7\u5805, and \u59dc\u672c\u672b. \u5b78\u6d77\u66f8\u6a13\u8207\u9999\u6c5f\u570b\u5b78: \u4e2d\u570b\u50b3\u7d71\u6587\u5316\u5728\u9999\u6e2f\u7684\u50b3\u627f\u8207\u9769\u65b0. \u9999\u6e2f: \u4e2d\u83ef\u66f8\u5c40(\u9999\u6e2f)\u6709\u9650\u516c\u53f8, 2023.<\/p>\n\n\n\n

\u6c5f\u5357\u548c\u5e78, \u4f50\u85e4\u609f, and \u6a2a\u4e95\u5b5d, eds. \u7d19\u306e\u30ec\u30f3\u30ba\u304c\u3072\u3089\u304f\u53e4\u5178\u7c4d\u30fb\u7d75\u753b\u306e\u4e16\u754c. T\u014dky\u014d-to Chiyoda-ku: \u52c9\u8aa0\u793e, 2023.<\/p>\n\n\n\n

\u6f58\u9298\u71ca. \u9322\u9580\u7acb\u96ea\u7bc7: \u4e2d\u570b\u5716\u66f8\u53f2\u8ad6\u96c6. Xianggang: \u521d\u6587\u51fa\u7248\u793e\u6709\u9650\u516c\u53f8, 2023.<\/p>\n\n\n\n

\u738b\u7d20. \u6566\u714c\u5410\u9b6f\u756a\u8207\u6f22\u5510\u897f\u57df\u53f2. Beijing: \u751f\u6d3b\u00b7\u8b80\u66f8\u00b7\u65b0\u77e5\u4e09\u806f\u66f8\u5e97, 2023.<\/p>\n\n\n\n

\u738b\u8bd7\u6587. \u4e2d\u56fd\u4f20\u7edf\u624b\u5de5\u7eb8\u751f\u4ea7\u65e7\u5f71. Edited by \u9648\u9f99. Beijing: \u56fd\u5bb6\u56fe\u4e66\u9986\u51fa\u7248\u793e, 2023.<\/p>\n\n\n\n

\u7518\u8083\u7b80\u724d\u535a\u7269\u9986, \u7518\u8083\u7701\u6587\u7269\u8003\u53e4\u7814\u7a76\u6240, \u897f\u5317\u5e08\u8303\u5927\u5b66\u7b80\u724d\u7814\u7a76\u6240, and \u6e05\u534e\u5927\u5b66\u51fa\u571f\u6587\u732e\u7814\u7a76\u4e0e\u4fdd\u62a4\u4e2d\u5fc3. \u60ac\u6cc9\u6c49\u7b80. \u53c1. Shanghai: \u4e2d\u897f\u4e66\u5c40, 2023.<\/p>\n\n\n\n

\u7f2a\u5c0f\u548f. \u6c5f\u8607\u51fa\u7248\u53f2. \u660e\u4ee3\u5377. Edited by \u5f90\u6d77 and \u94b1\u5174\u5947. Nanjing: \u6c5f\u82cf\u4eba\u6c11\u51fa\u7248\u793e, 2023.<\/p>\n\n\n\n

\u7f57\u9e6d. \u5143\u4ee3\u5370\u5237\u6587\u5316\u8207\u6587\u5b78\u7814\u7a76. Shanghai: \u4e0a\u6d77\u53e4\u7c4d\u51fa\u7248\u793e, 2023.<\/p>\n\n\n\n

\u83ca\u5730\u4fe1\u7fa9. \u88c5\u5e40\u4f59\u8a71. T\u014dky\u014d: \u4f5c\u54c1\u793e, 2023.<\/p>\n\n\n\n

\u8427\u6c38\u9f99. \u5357\u6d0b\u4e66\u8bdd: \u9999\u6e2f, \u5357\u6d0b, \u6c11\u56fd\u65e7\u4e66\u520a\u8bb0\u8ff0. Taibei Shi: \u5b63\u98ce\u5e26\u6587\u5316\u6709\u9650\u516c\u53f8, 2023.<\/p>\n\n\n\n

\u8c37\u982d\u548c\u5e0c. \u30d6\u30c3\u30af\u30aa\u30d5\u304b\u3089\u8003\u3048\u308b: \u300c\u306a\u3093\u3068\u306a\u304f\u300d\u304b\u3089\u751f\u307e\u308c\u305f\u6587\u5316\u306e\u30a4\u30f3\u30d5\u30e9. T\u014dky\u014d: \u9752\u5f13\u793e, 2023.<\/p>\n\n\n\n

\u8d75\u6797\u5e73. \u665a\u660e\u81f3\u6e05\u4e2d\u53f6\u620f\u66f2\u7684\u5546\u4e1a\u51fa\u7248\u7814\u7a76. Beijing: \u4e2d\u56fd\u620f\u5267\u51fa\u7248\u793e, 2023.<\/p>\n\n\n\n

\u8d8a\u61f8\u6fa4\u9ebb\u8863. \u5927\u6b63\u6642\u4ee3\u306e\u97f3\u697d\u6587\u5316\u3068\u30bb\u30ce\u30aa\u697d\u8b5c. T\u014dky\u014d-to Chiyoda-ku: \u5c0f\u9ce5\u904a\u66f8\u623f, 2023.<\/p>\n\n\n\n

\u91ce\u53e3\u6b66\u609f. \u8aad\u66f8\u30d0\u30ea\u30a2\u30d5\u30ea\u30fc\u306e\u4e16\u754c: \u5927\u6d3b\u5b57\u672c\u3068\u96fb\u5b50\u66f8\u7c4d\u306e\u666e\u53ca\u3068\u6d3b\u7528. T\u014dky\u014d: \u4e09\u548c\u66f8\u7c4d, 2023.<\/p>\n\n\n\n

\u9577\u53cb\u5343\u4ee3\u6cbb. \u6c5f\u6236\u6642\u4ee3\u306e\u8cb8\u672c\u5c4b: \u5eb6\u6c11\u306e\u8aad\u66f8\u71b1, \u99ac\u7434\u306e\u5275\u4f5c\u3092\u652f\u3048\u305f\u66f8\u7269\u6d41\u901a\u306e\u62e0\u70b9. T\u014dky\u014d: \u52c9\u8aa0\u793e, 2023.<\/p>\n\n\n\n

\u963f\u90e8\u5353\u4e5f. \u6749\u6d66\u5eb7\u5e73\u3068\u5199\u690d\u306e\u6642\u4ee3: \u5149\u5b66\u6280\u8853\u3068\u65e5\u672c\u8a9e\u306e\u30c7\u30b6\u30a4\u30f3. T\u014dky\u014d-to Minato-ku: \u6176\u5fdc\u7fa9\u587e\u5927\u5b66\u51fa\u7248\u4f1a, 2023.<\/p>\n\n\n\n

\u9648\u6b63\u5b8f, ed. \u82cf\u5dde\u523b\u4e66\u53f2. Nanjing: \u51e4\u51f0\u51fa\u7248\u793e, 2023.<\/p>\n\n\n\n

\u970d\u8273\u82b3. \u674e\u5f00\u5148\u85cf\u4e66, \u8457\u8ff0\u4e0e\u523b\u4e66\u7814\u7a76. Hangzhou: \u6d59\u6c5f\u5927\u5b66\u51fa\u7248\u793e, 2023.<\/p>\n\n\n\n

\u9a6c\u5343. \u753b\u697c: \u201c\u5317\u6d0b\u753b\u62a5\u201d\u5fc6\u65e7. Beijing: \u793e\u4f1a\u79d1\u5b66\u6587\u732e\u51fa\u7248\u793e, 2023.<\/p>\n\n\n\n

\u9b4f\u5065\u9e4f. \u56fe\u50cf\u4e0e\u6587\u672c: \u6566\u714c\u77f3\u7a9f\u7ef4\u6469\u8bd8\u7ecf\u53d8\u7814\u7a76. Lanzhou: \u7518\u8083\u6587\u5316\u51fa\u7248\u793e, 2023.<\/p>\n\n\n\n

\u9c81\u6012\u653e. \u4e94\u6842\u697c\u85cf\u4e66\u53f2\u8ff0. Hangzhou: \u6d59\u6c5f\u5927\u5b66\u51fa\u7248\u793e, 2023.<\/p>\n\n\n\n

\u9ec3\u6f58\u660e\u73e0\u8457. and \u9ec3\u6f58\u660e\u73e0, author. \u6c57\u58a8\u50b3\u4e16: \u9999\u6e2f\u65b0\u6587\u5b78\u51fa\u7248\u7b2c\u4e00\u4eba\u5b6b\u53d7\u5321\u53ca\u53d7\u5321\u51fa\u7248\u90e8. Xianggang: \u9999\u6e2f\u4e2d\u6587\u5927\u5b78, 2023.<\/p>\n","protected":false},"excerpt":{"rendered":"

Our annual bibliography for 2023 is live, featuring over 600 items! It is available for download in PDF and as a Zotero file.<\/p>\n","protected":false},"author":1,"featured_media":4382,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"post-template-bibliographies","format":"standard","meta":{"footnotes":""},"categories":[1881],"tags":[2023,1905],"class_list":["post-4077","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bibliographies","tag-annual-bibliography","tag-bibliography"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/sharpweb.org\/sharpnews\/wp-json\/wp\/v2\/posts\/4077","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sharpweb.org\/sharpnews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sharpweb.org\/sharpnews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sharpweb.org\/sharpnews\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sharpweb.org\/sharpnews\/wp-json\/wp\/v2\/comments?post=4077"}],"version-history":[{"count":6,"href":"https:\/\/sharpweb.org\/sharpnews\/wp-json\/wp\/v2\/posts\/4077\/revisions"}],"predecessor-version":[{"id":5529,"href":"https:\/\/sharpweb.org\/sharpnews\/wp-json\/wp\/v2\/posts\/4077\/revisions\/5529"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sharpweb.org\/sharpnews\/wp-json\/wp\/v2\/media\/4382"}],"wp:attachment":[{"href":"https:\/\/sharpweb.org\/sharpnews\/wp-json\/wp\/v2\/media?parent=4077"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sharpweb.org\/sharpnews\/wp-json\/wp\/v2\/categories?post=4077"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sharpweb.org\/sharpnews\/wp-json\/wp\/v2\/tags?post=4077"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}