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Lesser, Zachary. Ghosts, Holes, Rips and Scrapes: Shakespeare in 1619, Bibliography in the Longue Durée. Philadelphia: University of Pennsylvania Press, 2021. 

The central methodological claim of Lesser’s case study is that an attention to the long and disparate lives of each individual copy helps us to better understand the making of the Jaggard Quartos and allows us to complicate the studies conducted by New Bibliographers, whose bibliographic descriptions and attendant explanations of the texts’ extant forms still condition contemporary approaches to bibliography. By carefully studying individual copies across long periods of time, Lesser provides a fuller picture of the material conditions of their production and use.

Project-Based Teaching in Special Collections: Building Digital Cruikshank

In Fall 2022, students in my combined undergraduate and graduate English seminar at the University of Maryland, Baltimore County participated in a semester-long collaboration with our Special Collections Library. Head of Special Collections, Beth Saunders, and Special Collections librarian, Susan Graham, and I secured seed funding from our university to design and run an upper-level course centered on digitizing a library collection and then curating and building a digital resource.

Benito Rial Costas (ed.), Aldo Manuzio en la España del Renacimiento. Madrid: Consejo Superior de Investigaciones Científicas (csic), 2019. Nueva Roma, Bibliotheca Graeca et Latina Aevi Posterioris 50.

This collective volume is the result of the work of a research seminar assembled in 2015, under the auspices of the Complutense University of Madrid (ucm), commemorating the fifth centenary of the death of the humanist and printer Aldus Manutius the Elder (c. 1450-1515). The overall objective of the text is to reexamine the impact of Manutius in Renaissance Spain by covering different areas and avoiding common places broadly accepted in the traditional historiography, such as the devotion, fame, and prestige around the paradigmatic yet idealized figure of Manutius the Elder.

Conference Review: SHARP 2022

Amsterdam’s background complemented the theme of the conference repeatedly, and history joined hands with the contemporary understanding of print culture. In my personal experience, the SHARP 2022 conference was a palimpsest of layers of research, history, and a wide range of enquiries; each layer separated by the keen interest and collaboration.