Book Materiality Exploration Kits

This classroom activity was a collaboration between a special collections librarian and a library and archives conservator, testing a new approach to engaging students with books as material objects. The conservator developed book materiality exploration kits that were individually paired to books from the library’s rare books collection. The special collections librarian used these kits with a graphic design class, which came to the special collections to explore historical (rare) books and contemporary artists’ books as inspiration for their own book design project later in the semester.

John Boardley. Typographic Firsts: Adventures in Early Printing

For centuries, humans have been surrounded by printed material. It is easy to ignore that certain typographic elements we take for granted now were, at some point, a novelty. John Boardley’s Typographic Firsts, published by the Bodleian Library, creates awareness for these developments that (mainly) started in the fifteenth century and still shape our books (even the digital ones) in the twenty-first century.

The Oxford Handbook of Publishing. Edited by Angus Phillips and Michael Bhaskar.

For this handbook, Angus Philipps, director of the Oxford International Centre for Publishing, well-known to the publishing studies world as the co-author of Inside Book Publishing (sixth edition 2019) and editor-in-chief of LOGOS, joined forces with London-based industry insider Michael Bhaskar, author of The Content Machine (2013) and Curation: The Power of Selection in a World of Excess (2016). The 25 chapters, written by an impressive range of experts from mostly anglophone backgrounds, can be used as stand-alone introductions to research areas and questions pertaining to publishing and book studies.

Howell, Thomas. Soldiers of the Pen: The Writers’ War Board in World War II.

Thomas Howell’s study of the Writers’ War Board (WWB) joins the likes of Janice Radway’s A Feeling for Books on the Book-of-The-Month Club (1997) and the more recent work of Eric Bennett on American writing workshops (2015) and Sarah Brouillette in UNESCO and the Fate of the Literary (2019) in presenting the reader with a sustained study of an institution and its history, ideology, and material effects. Howell makes use of archival materials from the Library of Congress, Boston College, and elsewhere to recreate this history…