Dennis Duncan. Index, A History of the: A Bookish Adventure from Medieval Manuscripts to the Digital Age.

he history of the index, it turns out in Duncan’s equally excellent and entertaining historical survey, has much to tell us about the history of how texts were used between the thirteenth century and the present day, and how producers of books have aimed to answer the demands of those developing uses within the confines of the available technologies of their times.

Martyn Lyons. The Typewriter Century: A Cultural History of Writing Practice. University of Toronto Press, 2021.

Martyn Lyons’s The Typewriter Century, A Cultural History of Writing Practices takes the machine as a starting point to examine its relationship to work, creative and otherwise and, like Hazzard’s novel, finds a complex network of relationships that it creates or facilitates. This social and literary history is interspersed with reckonings on gender and labour as Lyons considers the technical, personal and even mythical roles that the typewriter played in offices, homes and imaginations for most of the twentieth century.

Lesser, Zachary. Ghosts, Holes, Rips and Scrapes: Shakespeare in 1619, Bibliography in the Longue Durée. Philadelphia: University of Pennsylvania Press, 2021. 

The central methodological claim of Lesser’s case study is that an attention to the long and disparate lives of each individual copy helps us to better understand the making of the Jaggard Quartos and allows us to complicate the studies conducted by New Bibliographers, whose bibliographic descriptions and attendant explanations of the texts’ extant forms still condition contemporary approaches to bibliography. By carefully studying individual copies across long periods of time, Lesser provides a fuller picture of the material conditions of their production and use.

Under Your Skin: A History of the Necronomicon and Skin-Bound Books

The absence of evil books in real life hasn’t stopped us from imagining them in all manner of genres both past and present. And we love a good evil book, don’t we? Whether it’s Mister Babadook demanding entry into your home, the King in Yellow bringing carnage and ruin to the stage, or the Spirit grimoire manipulating a young magician in The Care Bears Movie, our fascination with malevolent tomes and nefarious publications continues to thrive. One of the more popular, if not the most popular, versions of this trope is the Necronomicon, a book as notorious as it is fictitious.